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Krzysztof Warlikowski Tickets

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Opera
1 Apr 2025, Tue
Composer: Giuseppe Verdi
Last-Minute Tickets Only from 321 US$

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Opera
4 Apr 2025, Fri
View Tickets from 282 US$

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Opera
9 Apr 2025, Wed
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Opera
12 Apr 2025, Sat
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Opera
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17 Apr 2025, Thu
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Opera
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20 Apr 2025, Sun
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Opera
Ballet
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30 Apr 2025, Wed
Cast: Bavarian State Orchestra , Myron Romanul
Ballet
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3 May 2025, Sat
Composer: Pyotr Tchaikovsky
Cast: Bavarian State Orchestra , Myron Romanul
Ballet
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6 May 2025, Tue
Cast: Bavarian State Orchestra , Myron Romanul
View Tickets from 92 US$

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Ballet
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14 May 2025, Wed
Cast: Bavarian State Orchestra , Myron Romanul
Ballet
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20 May 2025, Tue
Cast: Bavarian State Orchestra , Myron Romanul
View Tickets from 91 US$

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Opera
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7 Jul 2025, Mon
Composer: Leoš Janáček
Opera
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13 Jul 2025, Sun
Composer: Arnold Schönberg , Henry Purcell
View Tickets from 107 US$

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Opera
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23 Feb 2026, Mon
Composer: Richard Strauss
View Tickets from 93 US$

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About

Krzysztof Warlikowski figures among the reforming vanguard of theatrical language in Europe. With his productions of Shakespeare, notably based on the interpretations of Jan Kott, he has reinvigorated our perception in a spectacular way. His most outstanding productions include Anioły / Angels in America (Kushner), Madame de Sade (Mishima), Krum / Kroum l’ectoplasme (Levin), Koniec / The End (adapted from Kafka, Koltès and Coetzee), (A)polloniaA Streetcar (with Isabelle Huppert), African Tales inspired by the works of Shakespeare, Kabaret Warszawski, and The French. Krzysztof Warlikowski has re-forged the connection with the spectator by using an original process to prompt the audience into searching for meaning or meanings, particularly through cinematographic references or with the novel use of video. Extremely active in the field of opera, he has always managed to transpose his dramatic discoveries into it. 

At the Paris Opera, his productions include Iphigénie en Tauride, The Markopoulos Affair, Parsifal, King Roger (Szymanowski), and Bluebeard’s Castle / La Voix humaine. He also directed The Rake’s Progress at the Staatsoper im Schiller Theater in Berlin, Eugene Onegin at the Bayerische Staatsoper in Munich, where he also oversaw the production of Die Frau ohne Schatten to mark the fiftieth anniversary of the theatre’s reopening after World War II. He also works regularly with the Teatro Real in Madrid where he directed The Markopoulos Affair (which won the award for best stage direction at the 2009 Premios Liricos), King Roger, Poppea e Nerone (Monteverdi / Boesmans) and Alceste (Gluck). At La Monnaie in Brussels, he directed Médée (Cherubini) Macbeth (voted production of the year in 2009-10 by Opernwelt magazine), Lulu and Don Giovanni. In 2016, he directed Il Trionfo del tempo e del disinganno at the Aix Festival and Phèdre(s) (inspired by the work by Racine) at the Odéon-Théâtre de l’Europe. 
In 2017, he staged Wozzeck at the Dutch National Opera in Amsterdam and Schreker’s Die Gezeichneten at the Munich Festival. Krzysztof Warlikowski is also the director of the Nowy Teatr in Warsaw, an interdisciplinary cultural centre. His productions are performed all over the world.

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