Teatro del Maggio Musicale Fiorentino 14 May 2024 - Premiere Jeanne Dark | GoComGo.com

Premiere
Jeanne Dark

Teatro del Maggio Musicale Fiorentino, Auditorium, Florence, Italy
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Select date and time
8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

World première

In the heroicomic Maid of Orleans, Voltaire attacks the alliance between monarchical and Catholic power in fomenting nationalism and superstition. Stefano Jacini absorbs its satirical intent, which identifies the false sexual moralism and subjugation of women, to which Joan of Arc actually rebels, as the privileged means of subjugating society by an illegitimate, insipid and hypocritical authority. Vacchi chooses a narrative, playful and desecrating style, thus indirectly mocking the aesthetic dogmas of the so-called "contemporary" musical theatre, convinced that in every ideological diktat hides that occult power unmasked by the Enlightenment, in its meaning not only of the 18th century. A work to amuse and to think, culminating not with the burning of the girl, but with her escape riding a donkey, a nobly literary and irresistible animal, in an anti-speciesist perspective, for primal erotic energy.

New staging

Maggio Musicale Fiorentino commission

History

In the mock-heroic Pulzella d’Orleans, Voltaire attacks the alliance between monarchic and catholic power in its stirring-up of nationalism and superstition. Stefano Jacini takes on the satirical intent, identifying the false sexual moralism and female submission, to which in reality Joan of Arc rebels, as the ideal means to conquer illegitimate, foolish and hypocritical authority. Vacchi chose a narrative, playful and desecrating style, thus indirectly mocking the aesthetic dogmas of so-called “contemporary” musical theatre, in the conviction that every ideological diktat hides an occult power unmasked by Enlightenment, not only in the strictly eighteenth-century sense of the word. An opera that is entertaining and thought-provoking, ending not with the burning of the young woman, but with her flight on the back of a donkey, an animal which, from an anti-speciesist point of view, is nobly literary and irresistible for its primordial erotic energy.

Venue Info

Teatro del Maggio Musicale Fiorentino - Florence
Location   Piazza Vittorio Gui, 1

Teatro del Maggio Musicale Fiorentino is a major opera house in Florence and the main concert venue of the international festival "Maggio Musicale Fiorentino".

The white marble veined with green of the Baptistery of San Giovanni, the brickwork of the dome of Santa Maria del Fiore and finally the dazzling gold of the precious paintings that have made the city of Tuscany one of the world capitals of art: the materials and colors of the Renaissance they meet at the Teatro del Maggio to celebrate the power of music, and the enchantment of melodrama, right in the city where this exceptional form of theater was born. Conceived by the architect Paolo Desideri of the ABDR studio, the “new house” of the Maggio Musicale Fiorentino rises at the meeting point between the monumental center and the Parco delle Cascine, the green lung of the city.

An important connective function also reaffirmed by the vast system of open areas that can be reached through the two areas of the city and the different volumes of the building. Moreover, the proximity to the Stazione Leopolda helps to create a cultural pole of European importance.

Above a sort of wide base, a sloping skirting, there are the large music rooms and the enigmatic volume of the 35 meter high stage tower. Three rooms, which can work simultaneously: the 1800-seat opera theater, distributed between the stalls, boxes and gallery, an outdoor 2000-seat auditorium and finally an auditorium, dedicated to maestro Zubin Mehta, which varies its capacity from 500 to 1000 spectators.

As in a great musical instrument, the walls of the main hall are covered in pear wood to guarantee perfect acoustics. A dense network of thin copper chains also helps to transport the sound without distortion. The stage has a depth doubled compared to the average of Italian and foreign theaters and, thanks to its flexibility, is able to accommodate in its side pockets up to two sets ready to be moved during the intervals. The Cavea is positioned in the theater’s roof to complement and conclude the extensive system of squares, terraces and belvedere.

Its usability is therefore not limited to representations only, but is extended to the entire day to turn its stone steps into real urban salons. Inaugurated on December 21, 2011 with the Ninth Symphony of Ludwig van Beethoven directed by Zubin Mehta, the Teatro del Maggio is the permanent venue of the Orchestra and Chorus of the Maggio Musicale Fiorentino and has already hosted Masters such as Claudio Abbado, Riccardo Muti, Gustavo Dudamel , Daniele Gatti, Fabio Luisi, leading groups such as the Berliner Philharmoniker, the St. Petersburg Philharmonic Orchestra and the National de France Orchestras. Among the many artists who performed there are Alessandra Ferri, Mariella Devia, Sumi Jo, Anja Harteros, Aldo Ciccolini, Uto Ughi, Maurizio Pollini, Krystian Zimerman, Gregory Kunde, Ambrogio Maestri. In 2014 he received the National Award for the best architectural work made in Italy in the last 5 years.

Important Info
Type: Opera
City: Florence, Italy
Starts at: 20:00
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