Novosibirsk Opera and Ballet Theatre 20 May 2021 - Cinderella | GoComGo.com

Cinderella

Novosibirsk Opera and Ballet Theatre, Grand Stage, Novosibirsk, Russia
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7 PM
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Important Info
Type: Ballet
City: Novosibirsk, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 30min

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

A modern version of the outstanding production that was released in 1945 is now revived in a way that is more familiar to the contemporary audience. This performance’s significant feature is a fine combination of good old classical ballet with XXI century visual technology. In this production computer-generated images get along with traditional costumes and props. Rostislav Zakharov, creator of this ballet’s original choreography referred to it as “a song of human life’s springtime, of youth, happiness and dream”. During his work, Mikhail Messerer pursued the mood set by the ballet’s author.

History
Premiere of this production: 21 November 1945, Bolshoi Theatre, Moscow

Cinderella is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions and has inspired a great many choreographers since its inception.

Synopsis

Act I

Cinderella, a young woman whose domineering step-mother forces her to act as a servant in her own home, helps her step-mother and two step-sisters to prepare for the Spring Ball, at which it is rumoured that the Prince will choose his bride-to-be. As the two step-sisters work together to produce a new shawl, they get into an argument over who will wear it, and end up tearing it in two through their bickering. The pair storm off, while the step-mother orders Cinderella to clear up the remnants and finish her chores, as her father returns home from business. Since her father's remarriage, Cinderella has had to sleep by the kitchen fireplace, leaving her nothing to wear but rags covered in ashes. Her father has never moved past the grief of his first wife's death, and though he is concerned for his daughter, he is just as much under the step-mother's control as Cinderella herself is. Their brief peace is interrupted, however, as the mother and sisters reenter and begin ordering them about. During supper, a beggar woman turns up, asking for shelter. The sisters and mother try to chase her off, but Cinderella offers her a place by the kitchen fire and an old pair of slippers. The beggar thanks her for her kindness and departs, leaving the preparations for the ball to resume. After choosing dresses and a quick dancing lesson, the family finally sets off for the night with the father reluctantly in tow, leaving Cinderella behind.

Although lonely at first, she cheers herself up by dancing with her broom, imagining the Prince himself has asked her for a dance. She is surprised, however, when the beggar woman appears out of nowhere, wishing to return the slippers with her thanks. To Cinderella's amazement, the shoes have been transformed into dancing slippers of glass. The beggar woman throws off her disguise and reveals herself as Cinderella's fairy godmother, come to grant her wish of going to the ball. Summoning the fairies of Spring, Summer, Autumn and Winter for assistance, she turns Cinderella's rags into a beautiful dress, a pumpkin and mice into a carriage and horses, and grasshoppers and dragonflies into a retinue of footmen. As she is about to leave, however, the fairy godmother warns her that the magic will only last until midnight, at which time the spell will break, and everything will revert to its original form. Only the glass slippers will remain as a gift for her kindness. She then summons twelve dwarfs, who will appear to repeat her message if she has not left by midnight. With this warning in mind, Cinderella departs for the ball.

Act II

The Spring Ball is in full swing, with guests arriving from all over the kingdom and beyond to dance and pay respect to the Prince. The two step-sisters attempt to win favour with the royal court by showing off their dancing skills, but have less than successful results, much to their mother's dismay. The Prince then joins the celebrations, but finding state events such as the Spring Ball dull, and being reluctant to enter a marriage without love, he declines any offers for a dance, particularly in the case of the obnoxious step-sisters.

At this point, Cinderella arrives at the palace, transformed beyond recognition into a beautifully dressed princess. The Prince, along with everyone else, is entranced by her beauty and charm, and for the first time, he asks for a dance. As the evening passes, the two become inseparable; Cinderella quickly becomes beloved by the entire court for her graciousness and charm, while the Prince is unusually enthusiastic and cheery in her company. When refreshments are served, he gives her the honour of taking one of three oranges, a delicacy imported to the kingdom from a far-off land. Cinderella offers the other two oranges to her step-sisters, who are so flattered by the attention that they do not recognize the beautiful stranger as their sister. The Prince takes Cinderella out to the royal gardens for an evening walk, where they dance and proclaim the love blossoming between them.

As they return to the ballroom for the next waltz, Cinderella has completely forgotten about the time in her happiness. However, at the first stroke of midnight, the twelve dwarfs spring from the great palace clock and remind Cinderella of her godmother's warning. Terrified of being unmasked as a lowly servant in rags, she flees from the ballroom to the astonishment of the other guests. Though the Prince pursues her, she vanishes into the night moments before the spell breaks, losing one of her glass slippers in her haste and panic. The Prince is heartbroken at the thought of losing his love so soon after discovering her, but upon finding the lost slipper, he vows not to rest until he is once again reunited with her.

Act III

The morning after the ball, the Prince summons every shoemaker in the kingdom, in order to find out who the slipper was made for. However, none of them claim to have crafted the shoe, or sold it to anybody recently, and he concludes that the princess must be from a foreign land. His desperate search brings him first to the Mediterranean, then to the Orient, and lands further beyond. After travelling across the world and meeting various beautiful princesses with no success, the Prince begins to search his own kingdom, trying the slipper on every maiden who attended the ball.

Back at Cinderella's home, love has allowed the Prince to defy the laws of time and space; though she is only awakening the morning after the ball, he has already traveled the world and back again in search of his lost love. Upon waking, Cinderella initially believes that the events of the previous night were only a dream. As she relives some of the dances of the ball, she discovers the remaining glass slipper and realizes that it was all true. At breakfast, the step-sisters reminisce about the ball, and argue about who made the greater impression on the Prince at the ball. Their fighting is interrupted when the father and step-mother hurry in with the news that the Prince is on his way to their house, desperately trying a glass slipper on every girl he encounters. Upon his arrival, he tries the slipper on the two step-sisters, to no avail. The step-mother, however, demands to be given a chance and tries to force her foot into the shoe, ordering Cinderella to help her. As she bends down to assist, the remaining slipper falls from her pocket and the Prince finally recognizes Cinderella for who she is. As Cinderella successfully tries on both glass slippers, her step-family beg for her forgiveness, which she happily bestows upon them. Overjoyed to have rediscovered each other, Cinderella and the Prince are then transported away to a secret garden by the fairy godmother, where they confess their love for one another and are happily married.

Venue Info

Novosibirsk Opera and Ballet Theatre - Novosibirsk
Location   36 Krasny Prospect

The Novosibirsk Opera and Ballet Theatre (the official title is the Novosibirsk State Academic Opera and Ballet Theatre is one of the most important theatres in Novosibirsk and Siberia. It is located at the center of Novosibirsk at Lenin square.

The building was completed in February 1944, and the first performance was held on 12 May 1945. As of 2012, it is the largest theatre in Russia, larger than the Bolshoi Theatre (literally "Big theatre") in Moscow. After its renovation in 2005 with computerized stage equipment, at the time it became the most technically advanced in Russia. The total area of the building is 11,837 m2 (127,410 sq ft), the volume is 294,340 m3 (10,395,000 cu ft). The theatre is often called the "Siberian Coliseum" because of its size and beauty. The auditorium seats more than 1,790 spectators. Its upper gallery is decorated with copies of antique Greek statues.

Music directors

Current music director is Dmitri Jurowski. Previous directors were Teodor Currentzis (2004 to 2010) and Ainars Rubikis.

The building

The principal construction of the theatre building is the big dome, which is 60 metres (200 ft) wide and 35 metres (115 ft) high. The dome is a unique construction that supports itself without girders or columns. The ratio of its thickness (an average of 8 cm (3.1 in)) to its radius is less than that of a chicken's egg.

In front of the dome there is a large foyer, while behind it there is a 30-metre (98 ft) deep stage with bars rising up to 30 metres (98 ft) above.

The theater also served as the fifth pit stop in the fourteenth season of The Amazing Race.

Important Info
Type: Ballet
City: Novosibirsk, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 30min
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