Dutch National Opera tickets 16 May 2027 - Uprising | GoComGo.com

Uprising

Dutch National Opera, Amsterdam, Netherlands
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2 PM
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US$ 108

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You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 14:00
Sung in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Manoj Kamps
Mezzo-Soprano: Ingeborg Brocheler (Angela Green)
Soprano: Madeline Saputra (Lola Green)
Orchestra: National Youth Orchestra of the Netherlands
Baritone: Quirijn de Lang (Clive Green)
Soprano: Yulietta Quevedo Santos (Zoe Green)
Creators
Composer: Jonathan Dove
Librettist: April De Angelis
Co-production: en Het Geluid Opera Zuid
Director: Gable Roelofsen
Director: Romy Roelofsen
Overview

When a schoolgirl protests against deforestation, she clashes with her mother, who puts business interests first. How can you keep speaking to each other when your worldviews are so fundamentally different?

Composer Jonathan Dove has been bringing professionals and amateurs together in his work for decades. The award-winning Uprising may be his most urgent community opera to date. For this production, two local project choirs will be formed in Amsterdam and Maastricht, consisting of teenagers and adults, with and without stage experience. Musical direction is by Manoj Kamps, who led The Shell Trial in 2024, in which a participatory choir also played a central role.

History
Premiere of this production: 26 February 2025, Glyndebourne, East Sussex, England

When a schoolgirl protests against deforestation, she clashes with her mother, who puts business interests first. How can you keep speaking to each other when your worldviews are so fundamentally different?

Synopsis

Act I

Lola refuses to go to school. Overwhelmed by the loss of the rainforest, she can’t see the point of school if there’s no future. Sitting alone outside the school gates, she is mocked by her classmates and the townspeople.

The following day, her family take her to school, but she won’t go in. At home, she declares that she will no longer eat meat, fish, or dairy, and wants to live without plastic or a car. Encouraged by activists she meets online, she persists with her protest.

Her mother wins an important contract, while her father buys a bike. Over time, Lola is criticized by her sister, a teacher, and the townspeople, but her schoolfriends start to listen and join her strike. The mayor tries to pressure Lola to give up the strike, but she doesn't relent. Lola is threatened with a drastic medical intervention. By now, her supporters have grown into a large number, and striking schoolchildren around the world take up her song of protest.

Act II

In the forest, the trees know they are in danger. Lola’s mother arrives with a workforce to clear the ancient woodland to make way for a railway. The trees appeal to Lola for help. Her mother is knocked out by a falling log, and to her surprise, the trees describe their lives to her and try to make her understand what is about to be lost.

Lola brings all her followers to protest, but her mother goes ahead with the destruction. For a while, there is desolate emptiness. Then, the river floods.

Inspired by fellow activists around the world, Lola leads her followers to transform the wilderness. A new way of regenerating the land opens up the possibility of a brighter future, where life in abundance returns.

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 14:00
Sung in: English
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