War Memorial Opera House tickets 29 January 2027 - The Sleeping Beauty | GoComGo.com

The Sleeping Beauty

War Memorial Opera House, San Francisco, USA
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Select date and time
7:30 PM
From
US$ 172

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: San Francisco, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: San Francisco Ballet
Orchestra: Grammy-winning San Francisco Ballet Orchestra
Creators
Composer: Pyotr Tchaikovsky
Choreographer: Helgi Tomasson
Author: Charles Perrault
Librettist: Ivan Vsevolozhsky
Librettist: Marius Petipa
Choreography: Marius Petipa
Overview

The Sleeping Beauty is the pinnacle of the classical ballet canon. Choreographed by Helgi Tomasson after Marius Petipa and set to Tchaikovsky’s radiant score, this production honors the grandeur of the 19th-century classic while bringing a fresh vitality, showcasing regal pageantry, virtuosic technique, and enduring romance. It is a fairy tale that is both enchanting and captivating for audiences of all ages—elegant, timeless, and a celebration of classical ballet at its finest.

The Sleeping Beauty, set to the radiant and magnificent score by Peter Ilyich Tchaikovsky, is universally celebrated as the absolute pinnacle of the classical ballet canon. For the 2026–2027 season, San Francisco Ballet presents an opulent production by Helgi Tomasson, beautifully crafted after the definitive choreography of Marius Petipa. This spectacular staging breathes fresh vitality into Charles Perrault’s beloved fairy tale of Princess Aurora and the dark curse of the fairy Carabosse. Audiences will be instantly transported into a majestic 19th-century royal court filled with enduring romance, regal pageantry, and pure magic. The stunning, large-scale scenic designs and exquisite period costumes by renowned designer Jens-Jacob Worsaae create a visually arresting world on stage. Every scene is further elevated by the mesmerizing and atmospheric lighting design from the legendary Craig Miller. The performance showcases a true triumph of classical technique, demanding supreme virtuosity from the principal dancers and flawless precision from the corps de ballet. Audiences will be treated to the iconic Rose Adagio and the breathtaking wedding Grand Pas de Deux, which stand as global symbols of ballet excellence. The live, emotionally stirring performance by the San Francisco Ballet Orchestra ensures complete immersion into Tchaikovsky’s brilliant musical dramaturgy. This elegant, spellbinding, and endlessly captivating production at the War Memorial Opera House is the perfect event for an unforgettable evening out.

History
Premiere of this production: 03 January 1890, Mariinsky Theatre in St. Petersburg

The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

Synopsis

Time: Baroque
Place: Europe

Prologue (The Christening)

King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy brings a gift of a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on Catalabutte, the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge: Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a Spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100-year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora's life will ultimately be spared, the court is set at ease.

Act I (The Spell)

It is the day of Princess Aurora's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. An elaborate waltz is performed and Princess Aurora arrives. She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess: a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens. A thick layer of thorny plants grows over the palace, hiding it from view.

Act II (The Vision)

One hundred years later, Prince Désiré is attending a hunting party. Though his companions are lighthearted, the prince is unhappy and eventually asks to be left alone. On his own in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes him to the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts.

Act III (The Wedding)

The royal wedding is underway. Guests include the Jewel Fairies: Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union.

Structure

Titles of all of the numbers listed here come from Marius Petipa's original scenario, as well as the original libretto and programs of the first production of 1890. Major changes which were made to the score for Petipa's original production are mentioned, and help explain why the score is often heard in different versions in theatres today.

All libretti and programs of works performed on the stages of the Imperial Theatres were titled in French, which was the official language of the Emperor's Court, as well as the language in which balletic terminology is derived.

Prologue — Le baptême de la Princesse Aurore

Venue Info

War Memorial Opera House - San Francisco
Location   301 Van Ness Avenue

Home of the San Francisco Opera and San Francisco Ballet, the War Memorial Opera House opened in 1932 with TIME magazine declaring it “…a house made possible by all the people of San Francisco.”

Designed by Arthur Brown, Jr., the prominent American architect who also created San Francisco City Hall, this cultural landmark is one of the last Beaux-Arts structures built in the United States. Today, the stately building is host to a variety of events. In addition to our resident company opera and ballet performances, the 3006-seat auditorium may be available for lectures, classical concerts, recitals, and other performances that can be installed within an existing production.

With its ornate features and 38-foot ceiling, the grand Main Lobby makes an unforgettable setting for elegant cocktail receptions and sit-down dinners. The War Memorial Opera House is one of the Bay Area’s most sought-after and unique venues, offering modern technology and the ambiance of old-world theaters.

Important Info
Type: Ballet
City: San Francisco, USA
Starts at: 19:30
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