Vienna State Opera 16 January 2024 - I vespri siciliani | GoComGo.com

I vespri siciliani

Vienna State Opera, Main Stage, Vienna, Austria
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6:30 PM

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Important Info
Type: Opera
City: Vienna, Austria
Starts at: 18:30
Intervals: 2

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Reintroduction. Music Giuseppe Verdi. Text Eugène Scribe

History
Premiere of this production: 26 December 1855, Teatro Regio, Parma

I vespri siciliani (Les vêpres siciliennes) is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian shortly after its premiere in June 1855. The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract Lu rebellamentu di Sichilia.

Synopsis

Place: Palermo, Italy
Time: 1282

Act 1

Palermo's main square

Tebaldo, Roberto, and other French soldiers have gathered in front of the Governor's palace. As they offer a toast to their homeland, they are observed by the local Sicilians, unhappy with the occupation.

Elena enters dressed in mourning for her executed brother. Somewhat drunk, Roberto demands that she sing and she calmly agrees. Her song, about the perils of seamen and God's cry of "let dangers be scorned", (Deh! tu calma, o Dio possente / "Pray, O mighty God, calm with thy smile both sky and sea"), only incites the Sicilians to rebellion against the occupiers. When the governor, Montforte, enters the crowd calms down. Then Arrigo announces that he has been released from prison. Alone with Arrigo, Montforte offers him a position with the French as long as he stays away from Elena. He refuses, and immediately follows Elena into the palace.

Act 2

Beside the sea

Procida lands on the shore from a small fishing boat. It is clear that he is returning from exile and he expresses his joy at returning to his native land and city: O tu Palermo / "O thou Palermo, adored land...". He is surrounded by Manfredo and other companions and he quickly orders his men to bring Elena and Arrigo to him (Nell'ombra e nel silenzio / "In darkness and in silence"). The three make plans for an uprising during the impending festivities leading to the marriages of a group of young people. After Procida leaves, Elena asks Arrigo what reward he seeks. Swearing that he will avenge her brother's death, he asks for nothing but her love.

Bethune arrives with an invitation from Montforte to attend a ball. Arrigo refuses and is arrested and dragged off. Led by Roberto, a group of French soldiers arrive and Procida returns and sees that it is too late to save Arrigo, since the young people have come into the square and have begun to dance. As the dance becomes more lively, Roberto signals to his men, who seize many of the young women, dragging them off in spite of the protests of the young Sicilian men. The dejected young men witness a passing boat filled with French nobles and Sicilian women, all bound for the ball. Procida and others determine to gain entrance to the ball and seek their revenge.

Act 3

Scene 1: Montforte's palace

Montforte reads a paper from the woman whom he abducted, which reveals that Arrigo is his son: Si, m'abboriva ed a ragion! / "Yes, she despised me, and rightly!". Bethune tells him that Arrigo has been brought by force, but Montforte exalts in the fact that his son is close by: In braccio alle dovizie / "Given over to riches, surrounded by honors, an immense, horrid void...". The two men confront one another and Arrigo is somewhat puzzled by the way he is being treated. Finally, Montforte reveals the letter written by Arrigo's mother. Taken aback but still defiant, Arrigo insults his father who reacts in anger as the younger man rushes out: Parole fatale, Insulto mortale / "Fatal word!, Mortal insult! The joy has vanished...".

Scene 2: A ball at Montforte's palace

When Montforte enters, he gives the signal for the ballet to begin. In the crowd, but disguised, are Elena, Arrigo, and Procida. Arrigo is surprised when the two reveal themselves and they declare that their purpose is to save the young man. However, he is disturbed to hear that they intend to kill Montforte and when the father approaches the son, there is a hint of warning given. As approaching assassins close in, Arrigo leaps in front of his father just as Elena approaches. The Sicilians are horrified to see that Arrigo is being spared as the ensemble contemplates the situation. Elena, Procida, Danieli and the Sicilians curse Arrigo as they are dragged away, while he wants to follow, but is restrained by Montforte.

Act 4

A prison

Arrigo arrives at the prison gate and, on Montforte's orders, waits to be admitted. He contemplates the situation that his friends are in: Giorno di pianto / "Day of weeping, of fierce sorrow!". Elena is brought out and confronts him. Finally, he admits that Montforte is his father and she begins to be willing to sympathise: Arrigo! Ah, parli a un core... / "Arrigo! Ah, you speak to a heart already prepared to forgive." Not seeing Arrigo, Procida approaches Elena and reveals a letter telling him of awaiting freedom. But Montforte arrives and orders a priest and the execution of the prisoners while Procida is amazed to discover the truth of Arrigo's situation. Arrigo begs for mercy for his friends and Montforte confronts him with one thing: Dimme sol, di "Mio padre / "Say to me only, say "My father...". Arrigo says nothing as the executioner appears and the couple are led away, followed by Arrigo. Montforte steps in to prevent him from joining them. As Elena is led towards the executioner, Montforte steps in and announces a pardon for the Sicilians. Furthermore, he agrees to the marriage of Elena and Arrigo and announces to the crowd: "I find a son again!". There is general rejoicing.

Act 5

The gardens of Montforte's palace

As Knight and maidens gather, Elena gives thanks to all: Mercé, dilette amiche / "Thank you, beloved friends". Arrigo arrives, exclaiming his joy: La brezza aleggia intorno / "La brise souffle au loin" / "The breeze hovers about...". He leaves to find his father, but Procida arrives, announcing a plan to outwit his enemies with their massacre to take place at the foot of the altar after the vows have been said. She is torn, the more so following Arrigo's return, between her love and her duty: Sorte fata! Oh, fier cimento! / "Fatal destiny! Oh, fierce conflict!". Finally, she can go no further and she tells Arrigo that they cannot be married. Both men are furious with her for her seeming betrayal. Then Montforte arrives, takes the couple's hands, joins them together, and pronounces them married as the bells begin to ring. This is the signal for the Sicilians to rush in and hurl themselves upon Montforte and the French.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 18:30
Intervals: 2
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