Vienna State Opera 12 February 2022 - Anna Bolena | GoComGo.com

Anna Bolena

Vienna State Opera, Main Stage, Vienna, Austria
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7 PM

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Reintroduction

History
Premiere of this production: 26 December 1830, Teatro Carcano, Milan

Anna Bolena is a tragic opera (tragedia lirica) in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena and Alessandro Pepoli's Anna Bolena, both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII.

Synopsis

Act 1

Anne Boleyn has been neglected by her husband, the English King Henry VIII. Sadly she recalls her first experience of true love with Lord Richard Percy. Anne once secretly married him in a transport of joy, but left Lord Percy when Henry VIII made her a proposal of marriage. Anne's desire to wear a crown herself made her oblivious to her original love. Although she is now queen, she is nevertheless unhappy. Henry VIII has now secretly fallen in love with Jane Seymour, one of Anne's ladies-in-waiting. Although Jane reciprocates the king's feelings, but refuses to give in to his entreaties: only if the king marries her will she be willing to surrender herself to him. Henry VIII therefore resolves that Anne Boleyn will have to die. The king knows about Lord Percy's earlier love affair with Anne, but is unaware of their secret marriage. He orders the former to return to the court from exile abroad, and arranges an apparently chance meeting between Lord Percy and Anne Boleyn. The king hopes that the love between the two of them will be rekindled, and that this will enable him to accuse Anne of adultery.
However, Mark Smeaton, Anne's page, is also in love with the queen. Some time previously, he had therefore stolen a medallion bearing Anne's portrait from her chamber. Fearful that it could be discovered on his person, thus revealing his love for Anne, Smeaton resolves to return the stolen medallion to the queen's chamber unnoticed. Just as he is about to do so, Anne and her brother Lord Rochefort enter the room, obliging Smeaton to hide so as not to be seen. Lord Rochefort persuades Anne to meet Lord Percy. When Anne receives him, Percy swears his undying love for her. She also confesses her love for him, but rebuffs him out of loyalty to Henry. When Lord Percy draws a dagger with which to stab himself, Smeaton emerges from his hiding place and throws himself on Percy, erroneously believing that the latter intends to murder Anne. At this moment Henry VIII enters the room. The apparent fight between the two men and Anne's medallion which is found on Smeaton seem to be sufficient proof of the queen's infidelity. Henry now has a pretext for having Anne Boleyn, Smeaton, Lord Percy and Lord Rochefort arrested.

Act 2

Now imprisoned, Anne Boleyn deplores her fate together with her ladies-in-waiting. But she does not even have the consolation of waiting for her trial surrounded by her confidantes: Sir Hervey, an officer of the king, brings the order that the ladies-in-waiting are to leave Anne, and will also have to be questioned. Hardly is Anne alone than Jane Seymour enters and confesses to the queen that she is now Henry's mistress. Anne forgives her, describing the king as the real culprit.
Henry VIII has secretly told Smeaton that Anne can be saved from the scaffold only if Smeaton testifies in court to having had an affair with the queen. The page willingly commits perjury - and in doing so gives the judges the pretext they need for issuing the death sentence. When Henry then discovers that Lord Percy and Anne were married already, the queen seems certain to be convicted on multiple counts of adultery. And although Jane Seymour begs the king to spare the life of Anne Boleyn, four death sentences are passed: on Anne Boleyn, Lord Percy, Smeaton and Lord Rochefort. They are all imprisoned in the Tower of London. Just before the executions are due to be carried out, Sir Hervey brings Lord Percy and Lord Rochefort the news that Henry VIII intends to pardon both men. However, both are determined to die together with Anne Boleyn, and therefore reject the king's clemency.
Anne, now reunited with her ladies-in-waiting, becomes mentally confused. She returns to reality at the distant sound of the celebrations for the wedding of Henry VIII and Jane Seymour. She forgives the couple and falls to the floor in a faint. At this moment the guards enter to lead to the doomed Anne to the place of execution.

Time: 1536
Place: Windsor and London

Act 1
Scene One: Night. Windsor Castle, Queen's apartments

Courtiers comment that the queen’s star is setting, because the king’s fickle heart burns with another love.

Jane Seymour enters to attend a call by the Queen; Anna enters and notes that people seem sad. The queen admits to Jane that she is troubled. At the queen’s request, her page Smeaton plays the harp and sings in an attempt to cheer the people present. The queen asks him to stop. Unheard by any one else, she says to herself that the ashes of her first love are still burning, and that she is now unhappy in her vain splendor. All leave, except Jane.

Henry VIII enters and tells Jane that soon she will have no rival, that the altar has been prepared for her, and that she will have husband, sceptre, and throne. Each leaves by a different door.

Scene Two: Day. Around Windsor Castle

Lord Rochefort, Anna’s brother, is surprised to meet Lord Richard Percy, who has been called back to England from exile by Henry VIII. Percy asks if it is true that the Queen is unhappy and that the King has changed. Rochefort answers that love is never content.

Hunters enter. Percy is agitated at the prospect of possibly seeing Anna, who was his first love. Henry and Anna enter and express surprise at seeing Percy. Henry does not allow Percy to kiss his hand, but says that Anna has given him assurances of Percy’s innocence but she still has feelings for Percy. Henry VIII tells Hervey, an officer of the king, to spy on every step and every word of Anna and Percy.

Scene Three: Windsor Castle, close to the Queen's apartments

Smeaton takes a locket from his breast containing Anna’s portrait. He has stolen it and has come to return it. He hears a sound and hides behind a screen. Anna and Rochefort enter. Rochefort asks Anna to hear Percy. Then he leaves. Smeaton peeps out from behind the screen, but cannot escape. Percy enters. Percy says that he sees that Anna is unhappy. She tells him that the king now loathes her. Percy says that he still loves her. Anna tells him not to speak to her of love. Before leaving, Percy asks whether he can see Anna again. She says no. He draws his sword to stab himself, and Anna screams. In the mistaken belief that Percy is attacking Anna, Smeaton rushes out from behind the screen. Smeaton and Percy are about to fight. Anna faints, and Rochefort rushes in. Just then, Henry VIII enters and sees the unsheathed swords. Summoning attendants, he says that these persons have betrayed their king. Smeaton says that it is not true, and tears open his tunic to offer his breast to the king for slaying if he is lying. The locket with Anna’s portrait falls at the king’s feet. The king snatches it up. He orders that the offenders be dragged to dungeons. Anna says to herself that her fate is sealed.

Act 2

Scene One: London. Antechamber of the Queen's apartments

The guards note that even Jane Seymour has stayed away from Anna. Anna enters with a retinue of ladies, who tell her to place her trust in heaven. Hervey enters and says that the Council of Peers has summoned the ladies into its presence. The ladies leave with Hervey. Jane enters and says that Anna can avoid being put to death by admitting guilt. Anna says that she will not buy her life with infamy. She expresses the hope that her successor will wear a crown of thorns. Jane admits that she is to be the successor. Anna tells her to leave, but says that Henry VIII alone is the guilty one. Jane leaves, deeply upset.

Scene Two: Antechamber leading into the hall where the Council of Peers is meeting

Hervey tells courtiers that Anna is lost, because Smeaton has talked and has revealed a crime. Henry VIII enters. Hervey says that Smeaton has fallen into the trap. Henry VIII tells Hervey to continue to let Smeaton believe that he has saved Anna's life. Anna and Percy are brought in, separately. Henry VIII says that Anna has made love to the page Smeaton, and that there are witnesses. He says that both Anna and Percy will die. Percy says that it is written in heaven that he and Anna are married. They are led away by guards.

Jane enters. She says that she does not want to be the cause of Anna's death. Henry VIII says that she will not save Anna by leaving. Hervey enters and says that the Council has dissolved the royal marriage and has condemned Anna and her accomplices to death. Courtiers and Jane ask the king to be merciful. He tells them to leave.

Scene Three: Tower of London

Percy and Rochefort are together in their cell. Hervey enters and says that the king has pardoned them. They ask about Anna. Hearing that she is to be executed, they choose to be executed also. They leave, surrounded by guards.

In Anna's cell, a chorus of ladies comment on her madness and grief. Anna enters, she imagines that it is her wedding day to the king. Then she imagines that she sees Percy, and she asks him to take her back to her childhood home (Donizetti used the theme from the English/American song Home Sweet Home as part of Anna’s Mad Scene to underscore her longing). Percy, Rochefort and Smeaton are brought in. Smeaton throws himself at Anna's feet and says that he accused her in the belief that he was saving her life. In her delirium, Anna asks him why he is not playing his lute. The sound of cannon is heard. Anna comes to her senses. She is told that Jane and Henry VIII are being acclaimed by the populace on their wedding day. Anna says that she does not invoke vengeance on the wicked couple. She faints. Guards enter to lead the prisoners to the block. Smeaton, Percy and Rochefort say that one victim has already been sacrificed.

Venue Info

Vienna State Opera - Vienna
Location   Opernring 2

The Vienna State Opera is one of the leading opera houses in the world. Its past is steeped in tradition. Its present is alive with richly varied performances and events. Each season, the schedule features 350 performances of more than 60 different operas and ballets. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season.

The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (Wiener Hofoper) in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the Vienna Court Opera, the original construction site chosen and paid for by Emperor Franz Joseph in 1861.

The opera house was the first major building on the Vienna Ringstrasse commissioned by the Viennese "city expansion fund". Work commenced on the house in 1861 and was completed in 1869, following plans drawn up by architects August Sicard von Sicardsburg and Eduard van der Nüll. It was built in the Neo-Renaissance style by the renowned Czech architect and contractor Josef Hlávka.

Gustav Mahler was one of the many conductors who have worked in Vienna. During his tenure (1897–1907), Mahler cultivated a new generation of singers, such as Anna Bahr-Mildenburg and Selma Kurz, and recruited a stage designer who replaced the lavish historical stage decors with sparse stage scenery corresponding to modernistic, Jugendstil tastes. Mahler also introduced the practice of dimming the lighting in the theatre during performances, which was initially not appreciated by the audience. However, Mahler's reforms were maintained by his successors.

Herbert von Karajan introduced the practice of performing operas exclusively in their original language instead of being translated into German. He also strengthened the ensemble and regular principal singers and introduced the policy of predominantly engaging guest singers. He began a collaboration with La Scala in Milan, in which both productions and orchestrations were shared. This created an opening for the prominent members of the Viennese ensemble to appear in Milan, especially to perform works by Wolfgang Amadeus Mozart and Richard Strauss.

Ballet companies merge

At the beginning of the 2005–2006 season, the ballet companies of the Staatsoper and the Vienna Volksoper were merged under the direction of Gyula Harangozó.

From the 2010–2011 season a new company was formed called Wiener Staatsballet, Vienna State Ballet, under the direction of former Paris Opera Ballet principal dancer Manuel Legris. Legris eliminated Harangozós's policy of presenting nothing but traditional narrative ballets with guest artists in the leading roles, concentrated on establishing a strong in-house ensemble and restored evenings of mixed bill programs, featuring works of George Balanchine, Jerome Robbins, Jiří Kylián, William Forsythe, and many contemporary choreographers, as well as a reduced schedule of the classic ballets.

Opera ball

For many decades, the opera house has been the venue of the Vienna Opera Ball. It is an internationally renowned event, which takes place annually on the last Thursday in Fasching. Those in attendance often include visitors from around the world, especially prominent names in business and politics. The opera ball receives media coverage from a range of outlets.

Important Info
Type: Opera
City: Vienna, Austria
Starts at: 19:00
Acts: 2
Intervals: 1
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