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The ballet company and orchestra of the Tatar State Academic Opera and Ballet Theatre present La Bayadère with live symphonic accompaniment.
The Tatar State Academic Opera and Ballet Theatre named after Musa Jalil, based in Kazan, is represented by its ballet company and orchestra. According to the organiser, the theatre won Russia's Onegin national award in the Theatre category.
The announced touring cast includes principals Amanda Gomes, Wagner Carvalho and Oleg Ivenko.
Andrey Anikhanov is credited as conductor and as an Honored Artist of the Russian Federation. His biography also lists guest engagements with the Bolshoi Theatre and the Tatar Opera.
Every child needs their own ticket.
In 1980 Makarova staged her own version of the full-length work for the company, based largely on the Ponomarev/Chabukiani version she danced during her career with the Kirov Ballet. Makarova's production premiered on May 21, 1980 at the Metropolitan Opera House, and was shown live on PBS during the Live from Lincoln Center broadcast. Makarova danced the role of Nikiya herself, but was replaced by Marianna Tcherkassky due to an injury during the first act. The principal roles included Anthony Dowell as Solor, Cynthia Harvey as Gamzatti, Alexander Minz as the High Brahmin and Victor Barbee as the Rajah. The décor was designed by Pier Luigi Samaritani, with costumes by Theoni V. Aldredge. The premiere was a triumph for American Ballet Theatre, and the company has performed it consistently ever since.
La Bayadère (en. The Temple Dancer) is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya.
Set in the Royal India of the past, La Bayadère is a story of eternal love, mystery, fate, vengeance, and justice. The ballet relates the drama of a temple dancer (bayadère), Nikiya, who is loved by Solor, a noble warrior. She is also loved by the High Brahmin, but does not love him in return, as she does Solor.
Act I
Scene I, Outside Temple in the Sacred Forest.
The High Brahmin, priests, and temple dancers are celebrating the Indian Ritual of Fire. Nikiya, the most beautiful of the bayadères, has been chosen to be consecrated the lead temple dancer. The High Brahmin declares his love for Nikiya, but is rejected by her. Nikiya meets secretly with Solor later that evening. They dance together and swear eternal love over the Sacred Fire, but are discovered by the jealous High Brahmin, who vows to kill Solor.
Scene II, A Room in the Palace.
The Rajah has decided to reward Solor’s valor and decrees that the warrior will marry his daughter, Gamzatti. Gamzatti falls in love with Solor’s portrait, and when they meet, he is overwhelmed by her beauty. Even though he has sworn eternal love to Nikiya, he cannot defy the wishes of the Rajah and agrees to marry Gamzatti. The High Brahmin informs the Rajah of Nikiya and Solor’s secret love, hoping that the Rajah will do away with Solor. Instead, the Rajah decides to kill Nikiya.
This conversation is overhead by Gamzatti, who summons Nikiya to her rooms and attempts to bribe Nikiya to give up Solor. Refusing, Nikiya frantically attempts to kill Gamzatti. Nikiya flees and Gamzatti swears to destroy her.
Scene III, The Garden of the Palace.
At the betrothal of Solor and Gamzatti, Nikiya is commanded to dance. Gamzatti presents her with a basket of flowers that Nikiya believes to be from Solor, and which conceals a deadly snake. Nikiya is bitten, and when Solor leaves with Gamzatti, she refuses the proffered antidote and dies.
Act II. The Tent of Solor.
Solor, grief‑stricken and under the influence of opium, dreams of being reunited with Nikiya in the Kingdom of the Shades. Awakening, he realizes that he must prepare to marry Gamzatti.
Act III. The Temple.
The vision of Nikiya remains with Solor as the wedding ceremony begins at the Sacred Temple. As Solor and Gamzatti say their vows and are blessed by the High Brahmin, the vengeance of the gods is unleashed, and the temple and all the celebrants are destroyed. Nikiya and Solor are once again united in eternal love.
30 Beiwei Road, Xicheng District, Beijing (北京市西城区北纬路30号)Tianqiao Theatre is a first-class Beijing theatre with stage, lighting and sound systems designed for dance, drama and orchestral performances.
Tianqiao Theatre is a first-class Beijing theatre with stage, lighting and sound systems designed for dance, drama and orchestral performances. It offers VIP and box lounges and hosts performing arts troupes from China and abroad. The theatre aims to be a palace for performing arts and a window for cultural exchanges.
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
