Teatro Real tickets 16 May 2025 - Tamerlano (Concert version) | GoComGo.com

Tamerlano (Concert version)

Teatro Real, Main Auditorium, Madrid, Spain
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7:30 PM
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US$ 86

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If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Madrid, Spain
Starts at: 19:30
Acts: 3

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Countertenor: Alexander Chance (Andronico)
Orchestra: Freiburg Baroque Orchestra
Countertenor: Paul-Antoine Bénos-Dijan (Tamerlano)
Soprano: Polina Pastirchak (Asteria)
Conductor: René Jacobs
Tenor: Thomas Walker (Bajazet)
Creators
Composer: George Frideric Handel
Librettist: Nicola Francesco Haym
Overview

Maestro René Jacobs' second appearance in the season after conducting Idomeneo.

Leading the internationally renowned Freiburger Barockorchester, he will present one of the composer's most tragic operas in concert version.

It depicts the intrigues of the rivalry between Tamerlane, the Mongol conqueror, and Bajazet, the Ottoman emperor. Tamerlano wishes to marry Asteria, Bajazet's fiancée, and love and political conflicts arise.

History
Premiere of this production: 31 October 1724, King's Theatre, London

Tamerlano ("Tamerlane") is an opera seria in three acts written for the Royal Academy of Music theatre company, with music by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Agostin Piovene's Tamerlano together with another libretto entitled Bajazet after Nicolas Pradon's Tamerlan, ou La Mort de Bajazet.

Synopsis

Place: Prusa
Time: 1402

Act 1
The defeated Ottoman Emperor Bajazet is brought in chains to the court of Tamerlano. Tamerlano has ordered Andronico to remove the chains, but Bajazet is mistrustful of this action. Bajazet adds that the only reason he does not commit suicide is his love for his daughter, Asteria. (Aria:"Forte e lieto a morte andrei"). Tamerlano arrives and orders Andronico to try and obtain Bajazet and Asteria's consent for Asteria to marry Tamerlano, with a reward for Andronico of the Greek throne, marriage with Irene, and freedom for Bajazet. Andronico is troubled, as he brought his love Asteria to try and soften Tamerlano, only to see Tamerlano fall in love with her. (Aria:"Bella Asteria"). Tamerlano tells Asteria of his intentions and the offer to Andronico, which makes her angry at Andronico's seeming betrayal.

Bajazet declines Tamerlano's offer, and furthermore is angry at his daughter's seeming meekness at Tamerlano's demands. (Aria:"Ciel e terra armi di sdegno"). However, once alone, Asteria says that despite Andronico's apparent treachery, her feelings for him have not changed. (Aria:"Deh, lasciatemi.") Irene arrives to learn that she is no longer to marry Tamerlano, but instead Andronico. Andronico tells Irene that she can still change the outcome if she pretends to be her own messenger and takes issue with Tamerlano. She agrees to this plan, while he bemoans his current compromised situation.

Act 2

Tamerlano tells Andronico of Asteria's acceptance of his marriage proposal, and that the two planned weddings, of Tamerlano to Asteria and of Andronico to Irene, will happen soon. Tamerlano and Asteria sing contrasting arias at the situation. Asteria pretends to tell Andronico that she is about to marry Tamerlano, but through a misunderstanding, Andronico is left dejected at the thought. Meanwhile, Leone brings the disguised Irene to Tamerlano, where she pleads Irene's case.(Aria:"Par che mi nasca.") Tamerlano hears her with composure. When Irene and Asteria are alone, Asteria shows sympathy towards Irene and speaks of her own feelings. Irene finds hope in this revelation, while Leone 'comments only on love's irresistible power for good or evil.'

Bajazet is outraged at his daughter's impending marriage to Tamerlano and swears to stop this, while Andronico is furious and resolves to have his vengeance on Tamerlano before he kills himself. Asteria is secretly preparing to kill Tamerlano in the meantime. However, Bajazet manages to stall the wedding, and also avoids being humiliated by Tamerlano when he is stopped. Asteria makes a move to the dais, only for her father to stop her. She then pulls out a dagger, saying that it would have been her present to Tamerlano. After a trio between Tamerlano, Bajazet, and Asteria, Tamerlano orders the death of Bajazet and Asteria. However, Asteria protests that she has never been unfaithful and gets agreement from Bajazet, Andronico, and Irene, which gives her some feeling of happiness. She also feels sad that her plans for assassination failed and that she has lost her chance for happiness.

Act 3

Asteria and Bajazet decide to kill themselves with concealed poison. Alone, Asteria contemplates her oncoming death. Tamerlano makes one last attempt to win Asteria and says that he will even pardon her father. However, Andronico and Asteria declare their love for each other, which enrages Tamerlano and makes him swear his own revenge. Bajazet tries to gain inspiration from their action, while the couple can only find happiness in facing together whatever may come of declaring their mutual love.

Meanwhile, Irene pledges her love to Tamerlano if he returns his own love to her, while Leone hopes that ultimately love will win the day over revenge. Tamerlano prepares to humiliate his enemies, and begins by bringing Bajazet and then Asteria before him. Andronico pleads for mercy from Tamerlano. Tamerlano will not listen, and orders Asteria to become his servant, and that she must first serve him wine. Asteria puts the poison from her father into the cup. Irene then reveals her true identity to Tamerlano and the situation of the poisoned cup. Tamerlano then orders Asteria to decide who first to give the cup to, her father or Andronico, before she may bring it to him. Asteria is about to drink from the cup herself when Andronico hits it out of her hand, which further enrages Tamerlano. He orders Asteria's arrest and confinement in the common seraglio, and that Bajazet will have to see her being shamed. Bajazet, angry at this situation, declares that his spirit will haunt Tamerlano when he has died. (Aria:''Empio, per farti guerra".)

Irene and Tamerlano sing of the happy life that awaits them, after Tamerlano has had his revenge. Leone then reports the arrival of Asteria and Bajazet. Bajazet is surprisingly serene now, but finally reveals that this is because he has taken poison. As he becomes more incoherent, he says goodbye to his daughter and berates Tamerlano, until Andronico and Asteria carry him out of the room. Asteria then returns to ask for death, since Tamerlano can never get what he wants from her. Both Irene and Andronico send after Asteria to try and stop her suicide, while Tamerlano is finally changed by the events he has witnessed as well as by Irene's pleas. He finally pardons Asteria, Andronico, and Bajazet. The opera concludes with a love duet between Tamerlano and Irene, and the chorus sings of love's ability to save light from the dark.

Venue Info

Teatro Real - Madrid
Location   Isabel II Square, s / n.

Teatro Real is a major opera house located in Madrid. Today the Teatro Real opera is one of the great theaters of Europe hosting large productions involving leading international figures in opera singing, musical direction, stage direction, and dance. Founded in 1818 and inaugurated on 19 November 1850, it closed in 1925 and reopened in 1966. Beginning in 1988 it underwent major refurbishing and renovation works and finally reopened in 1997 with a capacity of 1,746 seats. The theater offers visitors guided tours in several languages, including the auditorium, stage, workshops, and rehearsal rooms.

Founded by King Ferdinand VII in 1818, and after thirty-two years of planning and construction, a Royal Order on 7 May 1850 decreed the immediate completion of the "Teatro de Oriente" and the building works were finished within five months. The Opera House, located just in front of the Palacio Real, the official residence of the Queen who ordered the construction of the theatre, Isabel II, was finally inaugurated on 19 November 1850, with Donizetti's La Favorite.

The Teatro soon became one of the most prestigious opera houses in Europe. For over five decades it hosted the most renowned singers and composers of the time. In the early period, it saw famous opera singers such as Alboni, Frezzolini, Marietta Gazzaniga, Rosina Penco, Giulia Grisi, Giorgio Ronconi, Italo Gardoni, Mario de Candia and Antonio Selva among many others. In 1863, Giuseppe Verdi visited the theatre for the Spanish premiere of his La Forza del Destino. At its peak, in the last quarter of the 19th century, the Teatro hosted world renowned artists such as Adela Borghi, Marie Sasse, Adelina Patti, Christina Nilsson, Luisa Tetrazzini, Mattia Battistini, Julián Gayarre, Angelo Masini, Francesco Tamagno and Enrico Tamberlick. In 1925, the Ballets Russes of Diaghilev performed in the theatre with the presence of Nijinsky and Stravinsky.

From 1867 to 1925 the Teatro Real also housed the Madrid Royal Conservatory. In December of 1925 a Royal Order ordered its activities to be discontinued owing to the damage that the construction of the Metro de Madrid had caused to the building. The government set out to restore it and ordered numerous projects to be drawn out for its renovation, such as that from architect Urdanpilleta Flórez, who proposed a monumental remodeling of the building. However, financial difficulties prevented the completion of these projects and led to a simple restoration, sponsored by the Juan March Institute, and carried out first by the architect Manuel Gonzalez Valcárcel, and later by architects Miguel Verdú Belmonte and Francisco Rodriguez Partearroyo.

The theatre reopened in 1966 as a concert hall as well as the main concert venue for the Spanish National Orchestra and the RTVE Symphony Orchestra. The reopening was celebrated with a concert of the Spanish National Orchestra conducted by Rafael Frühbeck de Burgos, and the Orfeón Donostiarra. In 1969, the 14th Eurovision Song Contest was held at the theatre, featuring an onstage metal sculpture created by surrealist Spanish artist Salvador Dalí.

Important Info
Type: Opera
City: Madrid, Spain
Starts at: 19:30
Acts: 3
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