Teatro Massimo: L’ultimo bacio di Anna (Anna’s last kiss) Tickets | Event Dates & Schedule | GoComGo.com

L’ultimo bacio di Anna (Anna’s last kiss) Tickets

Teatro Massimo, Palermo, Italy
All photos (1)
1 / 1
Available Dates: 6 - 8 May, 2025 (4 events)
Important Info
Type: Modern Ballet
City: Palermo, Italy
Duration: 1h 10min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Paolo Buonvino
Choreographer: Vincenzo Veneruso
Overview

Coreography by Vincenzo Veneruso

The ballet focuses on the dramatic theme of violence against women. To learn more, we invite you to listen to the words of choreographer Vincenzo Veneruso, accompanied by a first taste of the intense music composed by Paolo Buonvino, who is also the conductor of the show.The ballet focuses on the dramatic theme of violence against women. To learn more, we invite you to listen to the words of choreographer Vincenzo Veneruso, accompanied by a first taste of the intense music composed by Paolo Buonvino, who is also the conductor of the show.

Synopsis

A few years ago, in Palermo, in the Monte Pellegrino area. Anna and Luca have been living together for four years, but their relationship has been going on for a long time. For Anna, the apartment they share embodies her idea of the future: in that house she sees herself with a husband, children, replicating the model that her mother, her grandmothers and millions of women before her have embodied. On the occasion of a family party, Luca makes the long-awaited marriage roposal: it seems that all of Anna’s dreams will come true.

But once they are alone, the situation changes. Luca has been suffering from insomnia and nightmares for many years: tonight too he gets up and leaves Anna alone in the bedroom. Anna, on the other hand, is sleeping: she sees all her best hopes blossoming in her dreams; but when she wakes up she discovers that Luca is not next to her, she goes to look for him... and she discovers that Luca has been addicted to cocaine and crack for years, without her ever having had the slightest idea. Something breaks inside Anna, and continues to break, like when, walking on already broken glass the foot goes over it again and again, and every time there are new creaks. Anna’s whole life explodes and she feels annihilated.

It is only the first step in a long series that leads to Anna’s destruction: escapes, thefts, debts, violence of all kinds, clinics, drugs, depression. She wants to turn everything off, not to feel anything anymore, not to say anything anymore.

In less than a year Anna has lost her home, her job, the prospect of marriage, her money and her dignity. She just wants to wake up, but she is already awake and living in the nightmare.

A year and a half has passed, Luca is a danger for anyone close to him and above all for Anna who still loves him and, despite the blows, the insults, the violence of all kinds, persists in staying close to him and hiding from everyone the seriousness of the situation. But in the end she realizes that she can no longer do anything to help Luca. In the meantime Anna has also weakened: white hair, sunken face, she even suffers an ischemic attack, also caused by her pain and suffering.

The nightmare seems to be over, but Anna is still a prisoner of it. She’s back at her parents’ house, she’s biting her nails while she sink in the couch. A torture for them, who helplessly witness the unraveling of their daughter and try to show her their affection with small gestures of attention. Her brother also tries to help her, by giving her a one-way ticket to a European capital, so as to leave her story of suffering behind her. But Anna is independent: her scar is still a deep abyss where many tears will still fall, but she will fight, alone, with her own strength.

Venue Info

Teatro Massimo - Palermo
Location   Piazza Verdi

The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (the third after the Opéra National de Paris and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics.

The Teatro Massimo Vittorio Emanuele in Palermo opened its doors to the public on the evening of 16 May 1897, twenty-two years after the solemn public ceremony of the laying of the first stone. 
This took place on 12 January 1875, and ended a chequered series of vicissitudes with interminable squabbles lasting over ten years.
The international competition for the project and realisation of the opera house had been announced by Palermo Council in 1864, and its prime mover was the mayor, Antonio Starrabba di Rudini. 
For a long time there had been talk of building a big new theatre in Palermo, worthy of the second biggest city in southern Italy after Naples. 
Palermo, in the second half of the nineteenth century, was engaged in getting itself a new identity in the light of the new national unity. 
Cultural life was influenced by the new Italian State and the positive consequences of the activity of enlightened entrepreneurs like the Florios, who also made generous donations to the building of the opera house and for some years were also its no less enlightened managers. 
Intense commercial relations led to the convergence and development in Palermo of interests with a European dimension and brought the city to be continually in touch with different cultural models than its own. This was the start of the Belle Epoque, a time of cultural and economic rebirth for Palermo which would in turn become almost mythical for the future generations and was only to be interrupted by the outbreak of World War I.

The opening night happened on May 16 1897: Giuseppe Verdi's Falstaff was the inaugural opera. The conductor was Leopoldo Mugnone. A ticket in the boxes would then cost 80 liras, one in the gallery just 3. At the time of its first opening, thanks to its surface of 7,730 square metres, the Teatro Massimo was the third in Europe, after the opera houses in Paris and Wien.

From the opening in 1897 to 1935 the opera seasons were put together by private firms, often a different one each year, that would organize the performances.

In 1935 the theatre was officially designated with a Decree from the Italian Ministry of Culture "Ente Teatrale Autonomo", and thus recognized as a public theatre.

In 1974 the theatre was closed for reconstruction works that were supposed to be finished in a relatively short time. It remained closed for 23 years and was reopened with the concert on May 12 1997, conducted by Franco Mannino in the first part and by Claudio Abbado in the second, with the Berliner Philharmoniker.

Important Info
Type: Modern Ballet
City: Palermo, Italy
Duration: 1h 10min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

From
$ 90
Top of page