Teatro Massimo: Faust Tickets | Event Dates & Schedule | GoComGo.com

Faust Tickets

Teatro Massimo, Palermo, Italy
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Available Dates: 19 - 25 Mar, 2025 (6 events)
Important Info
Type: Opera
City: Palermo, Italy
Duration: 3h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Charles Gounod
Director: Fabio Ceresa
Author: Johann Wolfgang von Goethe
Librettist: Jules Barbier
Librettist: Michel Carré
Overview

A Teatro Massimo new production

Libretto by Jules Barbier and Michel Carré, from Faust by Johann Wolfgang von Goethe

History
Premiere of this production: 19 March 1859, Théâtre Lyrique , Paris

Faust is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part One. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon.

Synopsis

Place: Germany
Time: 16th century

Act 1

Faust's cabinet

Faust, an aging scholar, determines that his studies have come to nothing and have only caused him to miss out on life and love (Rien! En vain j'interroge). He attempts to kill himself (twice) with poison but stops each time when he hears a choir. He curses hope and faith, and asks for infernal guidance. Méphistophélès appears (duet: Me voici) and, with a tempting image of Marguerite at her spinning wheel, persuades Faust to buy Méphistophélès's services on earth in exchange for Faust's in Hell. Faust's goblet of poison is magically transformed into an elixir of youth, making the aged doctor a handsome young gentleman; the strange companions then set out into the world.

Act 2

At the city gates

A chorus of students, soldiers and villagers sings a drinking song (Vin ou Bière). Valentin, leaving for war with his friend Wagner, entrusts the care of his sister Marguerite to his youthful friend Siébel (O sainte médaille ... Avant de quitter ces lieux). Méphistophélès appears, provides the crowd with wine, and sings a rousing, irreverent song about the Golden Calf (Le veau d'or). Méphistophélès maligns Marguerite, and Valentin tries to strike him with his sword, which shatters in the air. Valentin and friends use the cross-shaped hilts of their swords to fend off what they now know is an infernal power (chorus: De l'enfer). Méphistophélès is joined by Faust and the villagers in a waltz (Ainsi que la brise légère). Marguerite appears and Faust declares his admiration, but she refuses Faust's arm out of modesty, a quality that makes him love her even more.

Act 3

Marguerite's garden

The lovesick boy Siébel leaves a bouquet for Marguerite (Faites-lui mes aveux). Faust sends Méphistophélès in search of a gift for Marguerite and sings a cavatina (Salut, demeure chaste et pure) idealizing Marguerite as a pure child of nature. Méphistophélès brings in a decorated box containing exquisite jewelry and a hand mirror and leaves it on Marguerite's doorstep, next to Siébel's flowers. Marguerite enters, pondering her encounter with Faust at the city gates, and sings a melancholy ballad about the King of Thule (Il était un roi de Thulé). Marthe, Marguerite's neighbour, notices the jewellery and says it must be from an admirer. Marguerite tries on the jewels and is captivated by how they enhance her beauty, as she sings in the famous aria, the Jewel Song (Ah! je ris de me voir si belle en ce miroir). Méphistophélès and Faust join the women in the garden and romance them. Marguerite allows Faust to kiss her (Laisse-moi, laisse-moi contempler ton visage), but then asks him to go away. She sings at her window for his quick return, and Faust, listening, returns to her. Under the watchful eye and malevolent laughter of Méphistophélès, it is clear that Faust's seduction of Marguerite will be successful.

Act 4

Marguerite's room / A public square outside her house / A cathedral

[Note: The scenes of acts 4 and 5 are sometimes given in a different order and portions are sometimes shortened or cut in performance.]

After being made pregnant and seemingly abandoned by Faust, Marguerite has given birth and is a social outcast. She sings an aria at her spinning wheel (Il ne revient pas). Siébel stands by her. The scene shifts to the square outside Marguerite's house. Valentin's company returns from the war to a military march (Deposons les armes and Gloire immortelle de nos aïeux, the well-known "soldiers' chorus"). Siébel asks Valentin to forgive Marguerite. Valentin rushes to her cottage. While he is inside Faust and Méphistophélès appear, and Méphistophélès, knowing that Marguerite is not in there alone, sings a mocking burlesque of a lover's serenade under Marguerite's window (Vous qui faites l'endormie). Valentin takes the bait and comes out of the cottage, now knowing that Faust has debauched his sister. The two men fight, but Faust is reluctant to hurt the brother of the woman he adores. Méphistophélès blocks Valentin's sword, allowing Faust to make the fatal thrust. With his dying breath Valentin blames Marguerite for his death and condemns her to Hell before the assembled townspeople (Ecoute-moi bien Marguerite). Marguerite goes to the church and tries to pray there but is stopped, first by the sadistic Méphistophélès and then by a choir of devils. She finishes her prayer but faints when she is cursed again by Méphistophélès.

Act 5

The Harz mountains on Walpurgis Night / A cavern / The interior of a prison

Méphistophélès and Faust are surrounded by witches (Un, deux et trois). Faust is transported to a cave of queens and courtesans, and Méphistophélès promises to provide Faust with the love of the greatest and most beautiful women in history. An orgiastic ballet suggests the revelry that continues throughout the night. As dawn approaches, Faust sees a vision of Marguerite and calls for her. Méphistophélès helps Faust enter the prison where Marguerite is being held for killing her child. They sing a love duet (Oui, c'est toi que j'aime). Méphistophélès states that only a mortal hand can deliver Marguerite from her fate, and Faust offers to rescue her from the hangman, but she prefers to trust her fate to God and His angels (Anges purs, anges radieux). At the end she asks why Faust's hands are covered in blood, pushes him away, and falls down motionless. Méphistophélès curses, as a voice on high sings "Sauvée!" ("Saved!"). The bells of Easter sound and a chorus of angels sings "Christ est ressuscité!" ('"Christ is risen!"). The walls of the prison open, and Marguerite's soul rises to heaven. In despair Faust follows it with his eyes; he falls to his knees and prays. Méphistophélès is turned away by the shining sword of the archangel.

Venue Info

Teatro Massimo - Palermo
Location   Piazza Verdi

The Teatro Massimo Vittorio Emanuele is an opera house and opera company located on the Piazza Verdi in Palermo, Sicily. It was dedicated to King Victor Emanuel II. It is the biggest in Italy, and one of the largest of Europe (the third after the Opéra National de Paris and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics.

The Teatro Massimo Vittorio Emanuele in Palermo opened its doors to the public on the evening of 16 May 1897, twenty-two years after the solemn public ceremony of the laying of the first stone. 
This took place on 12 January 1875, and ended a chequered series of vicissitudes with interminable squabbles lasting over ten years.
The international competition for the project and realisation of the opera house had been announced by Palermo Council in 1864, and its prime mover was the mayor, Antonio Starrabba di Rudini. 
For a long time there had been talk of building a big new theatre in Palermo, worthy of the second biggest city in southern Italy after Naples. 
Palermo, in the second half of the nineteenth century, was engaged in getting itself a new identity in the light of the new national unity. 
Cultural life was influenced by the new Italian State and the positive consequences of the activity of enlightened entrepreneurs like the Florios, who also made generous donations to the building of the opera house and for some years were also its no less enlightened managers. 
Intense commercial relations led to the convergence and development in Palermo of interests with a European dimension and brought the city to be continually in touch with different cultural models than its own. This was the start of the Belle Epoque, a time of cultural and economic rebirth for Palermo which would in turn become almost mythical for the future generations and was only to be interrupted by the outbreak of World War I.

The opening night happened on May 16 1897: Giuseppe Verdi's Falstaff was the inaugural opera. The conductor was Leopoldo Mugnone. A ticket in the boxes would then cost 80 liras, one in the gallery just 3. At the time of its first opening, thanks to its surface of 7,730 square metres, the Teatro Massimo was the third in Europe, after the opera houses in Paris and Wien.

From the opening in 1897 to 1935 the opera seasons were put together by private firms, often a different one each year, that would organize the performances.

In 1935 the theatre was officially designated with a Decree from the Italian Ministry of Culture "Ente Teatrale Autonomo", and thus recognized as a public theatre.

In 1974 the theatre was closed for reconstruction works that were supposed to be finished in a relatively short time. It remained closed for 23 years and was reopened with the concert on May 12 1997, conducted by Franco Mannino in the first part and by Claudio Abbado in the second, with the Berliner Philharmoniker.

Important Info
Type: Opera
City: Palermo, Italy
Duration: 3h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

From
$ 89
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