Scene one
An afternoon on the Larin country estate: nurse Filipievna is doing the housework whilst Madame Larina is again lamenting the introvert behaviour of her daughter Tatiana. She only wishes to read in peace but is always prevented from doing so by her mother – be it either with her lamenting her youth or the songs of the peasants who sing at Larina’s behest. Olga attempts to help her sister and tries to turn Tatiana’s mind onto other things. Then a visitor is announced: Olga’s betrothed, Lenski, introduces his new neighbour, Onegin. Whilst the family is irritated by the stranger’s behaviour which goes against all etiquette, his unconventional manner awakens the interest of Tatiana. Could he be her true love of which her books tell?
Scene two
Tatiana is too agitated to sleep. She asks Filipievna to tell her something about love but her story is not a happy one: she had to marry someone chosen by her parents. On her own, Tatiana starts to write a letter in which she confesses her love to Onegin. When Filipievna wants to wake up the girl the next morning she realises what happened during the night. Despite her initial hesitation, she cannot refuse Tatiana’s wish and takes the letter to give to Onegin.
Scene three
Impatiently and nervously, Tatiana awaits Onegin’s reaction. When he is finally standing in front of her, all her hope disappears: he coldly rejects her.
Scene four
It is Tatiana’s name day and the whole neighbourhood has met for a party. Whilst everyone is amusing themselves, Tatiana wishes she could just disappear and Onegin is also annoyed for having been dragged to the ball by Lenski. To take revenge on his friend and spurred on by the gossip of the guests, he starts to flirt with Olga in front of everyone. The situation escalates and Lenski challenges Onegin to a duel.
Scene five
Lenski is waiting for Onegin, who turns up late, with his second Saretzki. In remembrance of past years, Lenski bids farewell to his love and his life. When the friends are standing opposite one another shortly afterwards, as opponents, no-one can bring themselves to say the words of reconciliation. The duellers reach for their weapons, Onegin shoots and Lenski falls.
Scene six
The ghosts of the past haunt Onegin and, after many years of travel, he returns to St. Petersburg where he ends up going to a ball. Here the royal host Gremin proudly presents his wife who is none other than Tatiana. It suddenly dawns upon Onegin that he loved Tatiana the whole time and that he can only be happy with her.
Scene seven
The situation has reversed and now Onegin confesses his love to Tatiana in a letter but although she still loves him she rejects him. As much as Onegin begs her, he cannot keep her and she flees into her life with Gremin. Onegin is left behind alone.
Time: The 1820s
Place: St Petersburg and surrounding countryside
Act 1
Scene 1: The garden of the Larin country estate
Madame Larina and the nurse Filippyevna are sitting outside in the garden. They can hear Madame Larina's two daughters, Tatyana and her younger sister Olga, singing a love song. Madame Larina begins to reminisce about her own courtship and marriage. A group of peasants enter, and celebrate the harvest with songs and dances. Tatyana and Olga watch. Tatyana has been reading a romantic novel and is absorbed by the story; her carefree sister, on the other hand, wants to join in the celebrations. Madame Larina tells Tatyana that real life is very different from her novels. Filippyevna announces that visitors have arrived: Olga's fiancé Lensky, a young poet, and his friend Eugene Onegin, visiting the area from St Petersburg. The pair are shown in and Lensky introduces Onegin to the Larin family. Onegin is initially surprised that Lensky has chosen the extrovert Olga rather than her more subtle elder sister as his fiancée. Tatyana for her part is immediately and strongly attracted to Onegin. Lensky expresses his delight at seeing Olga and she responds flirtatiously. Onegin tells Tatyana of his boredom in the country and describes the death of his uncle and his subsequent inheritance of a nearby estate. Filippyevna recognizes that Onegin has had a profound effect on Tatyana.
Scene 2: Tatyana's room
Tatyana is dressed for bed. Restless and unable to sleep, she asks her nurse Filippyevna to tell her about her youth and early marriage. Tatyana confesses that she is in love. Left alone, Tatyana pours out her feelings in a letter to Onegin. She tells him that she loves him and believes that she will never feel this way about anyone else, and begs him to understand and help her. She finishes writing the letter at dawn. A shepherd's pipe is heard in the distance. Filippyevna enters the room to wake Tatyana. Tatyana persuades her to send her grandson to deliver the letter to Onegin.
Scene 3: Another part of the estate
Servant girls pick fruit and sing as they work. Tatyana waits anxiously for Onegin's arrival. Onegin enters to see Tatyana and give her his answer to her letter. He explains, not unkindly, that he is not a man who loves easily and is unsuited to marriage. He is unworthy of her love and can only offer her brotherly affection. He warns Tatyana to be less emotionally open in the future. The voices of the servant girls singing are heard again. Tatyana is crushed and unable to reply.
Act 2
Scene 1: The ballroom of the Larin house
A ball is being given in honour of Tatyana, whose name day it is. Onegin is dancing with her. He grows irritated with a group of neighbours who gossip about him and Tatyana, and with Lensky for persuading him to come to the ball. He decides to avenge himself by dancing and flirting with Olga. Lensky is astounded and becomes extremely jealous. He confronts Olga but she cannot see that she has done anything wrong and tells Lensky not to be ridiculous. Onegin asks Olga to dance with him again and she agrees, as "punishment" for Lensky's jealousy. The elderly French tutor Monsieur Triquet sings some couplets in honour of Tatyana, after which the quarrel between Lensky and Onegin becomes more intense. Lensky renounces his friendship with Onegin in front of all the guests, and challenges Onegin to a duel, which the latter is forced, with many misgivings, to accept. Tatyana collapses and the ball ends in confusion.
Scene 2: On the banks of a wooded stream, early morning
Lensky is waiting for Onegin with his second Zaretsky. Lensky reflects on his life, his fear of death and his love for Olga. Onegin arrives with his manservant Guillot. Both Lensky and Onegin are reluctant to go ahead with the duel, reflecting on the senselessness of their sudden enmity. But it is too late; neither man has the courage to stop the duel. Zaretsky gives them the signal and Onegin shoots Lensky dead.
Act 3
Scene 1: The house of a rich nobleman in St Petersburg
Five years have passed, during which Onegin has travelled extensively around Europe. Standing alone at a ball, he reflects on the emptiness of his life and his remorse over the death of Lensky. Prince Gremin enters with Tatyana, his wife, now a grand, aristocratic beauty. She is greeted by many of the guests with great deference. Onegin is taken aback when he sees Tatyana, and deeply impressed by her beauty and noble bearing. Tatyana, in turn, is overwhelmed with emotion when she recognizes him, but tries to suppress it. Gremin tells Onegin about his great happiness and love for Tatyana, and re-introduces Onegin to his wife. Onegin, suddenly injected with new life, realizes that he is in love with Tatyana. He determines to write to her and arrange a meeting.
Scene 2: A room in Prince Gremin's house
Tatyana has received Onegin's letter, which has stirred up the passion she felt for him as a young girl and disturbed her. Onegin enters. Tatyana recalls her earlier feelings and asks why Onegin is pursuing her now. Is it because of her social position? Onegin denies any cynical motivation: his passion is real and overwhelming. Tatyana, moved to tears, reflects how near they once were to happiness but nevertheless asks him to leave. He asks her to have pity. Tatyana admits she still loves Onegin, but asserts that their union can never be realized, as she is now married, and determined to remain faithful to her husband despite her true feelings. Onegin implores her to relent, but she bids him farewell forever, leaving him alone and in despair.
Theaterplatz 2