Salle des Combins is the Verbier Festival’s main concert hall. It normally seats 1,419. Each row is on a separate tier, which guarantees an excellent view of the stage. Improvements to the soundproofing and heat insulation make this a very high-quality non-permanent venue. All of the Festival’s symphonic concerts, operas, large world music, jazz, dance events and some recitals are presented here.
Gianandrea Noseda conducts Shchedrin, Silvestrov, and Shostakovich — With Anna Fedorova
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Verbier Festival 2022
The classical world's most anticipated, highest-altitude festival of the year returned in summer 2022. The Verbier Festival came back on July 15 – 31, 2022. It brought the biggest and brightest stars in classical music, revisiting favorite works and taking on brand-new repertoire in the storied Salle des Combins and Verbier Église. Beloved performers of Verbiers past are once again on the docket—alongside some exciting Verbier debuts—in this blockbuster event from the gorgeous Swiss Alps, where the only thing more breathtaking than the view is the music.
Maestro Gianandrea Noseda conducts the Verbier Festival Orchestra with Ukrainian pianist Anna Fedorova and the Oberwalliser Vokalensemble, live from the Salle des Combins for the opening of the Verbier Festival 2022! Introduced by Marc Bouchkov and Tsotne Zedginidze.
A re-imagined programme calling for peace, solidarity, and inclusion of musicians of all nations opens the festival on 15 July: Italian conductor Gianandrea Noseda conducts the Verbier Festival Orchestra in a concert that features Shostakovich’s Fourth Symphony preceded by Rodion Shchedrin’s Second Piano Concerto and Silvestrov's poignant work, Prayer for Ukraine. At the piano will be Ukrainian pianist Anna Fedorova, alumna of the Verbier Festival Academy (2012 and 2017).
The first piece performed in honor of Rodion Schedrin, is the Piano Concerto No.2 (1966). It was dedicated to the ballerina Maïa Plissetskaïa, to whom the composer was married from 1958 until her death in 2015. The work is made up of three movements: Dialogues, Improvisations, Contrasts. At the time he was criticised, but in retrospect it is clear that this piece is one of the most brilliant works he has composed.” Shostakovich’s Symphony No.4 only saw the light of day in 1961. Faced with violent attacks by the government against his opera Lady Macbeth of Mtsensk, Shostakovich felt it was more prudent to keep the symphonic score hidden during rehearsals. A work of monumental proportions and striking originality, many opposing forces can be seen crossing paths throughout: military style music is cleverly subverted by the grotesque, strident sounds, clamorous outcries, and parodies of waltzes and polkas. Yet there are also meditative moments of peace and tranquility (in the third movement). The epilogue ends on an enigmatic note. In a letter to his friend Glikman in 1974, Shostakovich writes: " The authorities told me to repent (…) I refused. At the time I was young and strong. Instead of repenting, I wrote the Fourth Symphony.”