Oslo Opera House tickets 19 March 2027 - Verdis Requiem | GoComGo.com

Verdis Requiem

Oslo Opera House, Main Stage, Oslo, Norway
All photos (1)
Select date and time
6 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Oslo, Norway
Starts at: 18:00
Duration: 1h 40min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Edward Gardner
Mezzo-Soprano: Astrid Nordstad
Tenor: Eirik Grøtvedt
Soprano: Marita Sølberg
Chorus: Norwegian National Opera Chorus
Orchestra: Norwegian National Opera Orchestra
Bass-Baritone: Yngve Søberg
Creators
Composer: Giuseppe Verdi
Overview

Verdi's Monumental Requiem
The Norwegian National Opera Orchestra, the Norwegian National Opera Chorus and four soloists from the Norwegian National Opera perform Giuseppe Verdi’s monumental Requiem, conducted by Music Director Edward Gardner.

A full evening with the National Opera’s own forces 
A century and a half after its premiere, Verdi’s Requiem still stands in a class of its own. With its vast sonic splendour and wide emotional range – from hushed prayer to apocalyptic judgement – it has become one of the most powerful musical reflections on life, death and hope ever composed. 

Experience Marita Sølberg, Astrid Nordstad, Eirik Grøtvedt and Yngve Søberg in Verdi's monumental Requiem , performed with full orchestra and full chorus. 

In memory of two Italian masters 
Behind Verdi’s Messa da Requiem lie the deaths of two of Italy’s greatest cultural figures: the opera composer Gioachino Rossini and the writer Alessandro Manzoni. 

When Rossini died in 1868, Verdi proposed that a group of Italian composers collaborate on a requiem in his memory. Verdi himself contributed the movement Libera me, but the project was cancelled shortly before its premiere. 

When the writer and national hero Alessandro Manzoni died in 1873, all of Italy mourned. Verdi had long admired Manzoni and began work on a requiem in his honour. The Libera me movement was brought back into use. The result was his famous Requiem, written for soloists, chorus and large orchestra, first performed at San Marco Church in Milan on 22 May 1874 – the first anniversary of Manzoni’s death. Verdi himself conducted the premiere, which was met with overwhelming enthusiasm and soon followed by several performances at La Scala. 

From quiet prayer to apocalyptic judgement  
The work follows the Latin requiem liturgy and is structured in seven main movements. Among them is the famous Dies irae, in which Verdi depicts Judgement Day with explosive force from chorus and orchestra. Amid the drama are more contemplative moments too, including the tenor’s Ingemisco, the duet Recordare and the grieving Lacrymosa. 

Later in the work, the soloists come to the fore in the more intimate Offertorio, before the chorus once again fills the space in the virtuosic Sanctus. In the starkly simple Agnus Dei, the soloists sing in an almost bare, exposed sonority. In the final movement, Libera me, the soprano returns in a prayer for salvation and freedom, as the Dies irae motif breaks through one final time before the work concludes in a powerful fugue.  

History

The Messa da Requiem is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, an Italian poet and novelist whom Verdi admired. The first performance, at the San Marco church in Milan on 22 May 1874, marked the first anniversary of Manzoni's death. The work was at one time called the Manzoni Requiem. It is rarely performed in liturgy, but rather in concert form of around 85–90 minutes in length. Musicologist David Rosen calls it 'probably the most frequently performed major choral work composed since the compilation of Mozart's Requiem'.

Venue Info

Oslo Opera House - Oslo
Location   Kirsten Flagstads Plass 1

The Oslo Opera House is the home of The Norwegian National Opera and Ballet, and the national opera theatre in Norway. The building is situated in the Bjørvika neighbourhood of central Oslo, at the head of the Oslofjord. It is operated by Statsbygg, the government agency which manages property for the Norwegian government. The structure contains 1,100 rooms in a total area of 38,500 m2 (414,000 sq ft). The main auditorium seats 1,364 and two other performance spaces can seat 200 and 400. The main stage is 16 m (52 ft) wide and 40 m (130 ft) deep. The angled exterior surfaces of the building are covered with marble from Carrara, Italy and white granite and make it appear to rise from the water. It is the largest cultural building constructed in Norway since Nidarosdomen was completed circa 1300.

In 1999, after a long national debate, the Norwegian legislature decided to construct a new opera house in the city. A design competition was held and, of the 350 entries received, the judges chose that of Snøhetta. Construction started in 2003 and was completed in 2007, ahead of schedule and 300 million NOK (~US$52 million) under its budget of 4.4 billion NOK (~US$760 million). The gala opening on 12 April 2008 was attended by His Majesty King Harald, Queen Margrethe II of Denmark and President Tarja Halonen of Finland and other leaders. During the first year of operation, 1.3 million people passed through the building's doors.

The Opera House won the culture award at the World Architecture Festival in Barcelona in October 2008 and the 2009 European Union Prize for Contemporary Architecture.

The roof of the building angles to ground level, creating a large plaza that invites pedestrians to walk up and enjoy the panoramic views of Oslo. While much of the building is covered in white granite and La Facciata, a white Italian carrara marble, the stage tower is clad in white aluminium, in a design by Løvaas & Wagle that evokes old weaving patterns.

The lobby is surrounded by 15 m (49 ft) tall windows with minimal framing and special glass that allows maximum views of the water. The roof is supported by thin angled columns also designed not to interfere with views.

Interior surfaces are covered in oak to bring warmth to spaces in contrast to the coolness of the white exterior. The main auditorium is a horseshoe shape and illuminated by an oval chandelier containing 5,800 handmade crystals. Seats include monitors for the electronic libretto system, allowing audiences to follow opera libretti in Norwegian and English in addition to the original language.

Several art projects were commissioned for the interior and exterior of the Opera House. The most notable is She Lies, a sculpture constructed of stainless steel and glass panels by Monica Bonvicini. It is permanently installed on a concrete platform in the fjord adjacent to Opera House and floats on the water moving in response to tides and wind to create an ever-changing face to viewers. The work was unveiled by Her Majesty Queen Sonja on 11 May 2010.

A perforated wall panel which covers roof supports in the lobby was designed by Olafur Eliasson. It features hexagonal opening and is illuminated from below and behind to create the illusion of melting ice. Other artists involved in the construction include Kristian Blystad, Jorunn Sannes and Kalle Grude, who designed the shape of the pavers on the forecourt and roof; Bodil Furu and Trine Lise Nedreaas, who created a film and video project; Marte Aas, Talleiv Taro Manum, Tom Sandberg, Gerd Tinglum and Nina Witoszek Fitzpatrick, who created the art book Site Seeing; and Linus Elmes and Ludvig Löfgren, who created the foundation stone.

The main stage curtain is the work of Pae White who designed it to look like crumpled aluminum foil. White scanned a crumpled piece of foil into a computer which translated the information to a loom that wove the curtain from wool, cotton and polyester to create a three-dimensional effect. The curtain was manufactured by the German-based theatrical equipment company Gerriets GmbH. The finished curtain measures 74 ft (23 m) wide and 36 ft (11 m) and weighs 1,100 lb (500 kg).

Important Info
Type: Opera
City: Oslo, Norway
Starts at: 18:00
Duration: 1h 40min
Top of page