Opera de Monte-Carlo tickets 17 November 2024 - Viva Puccini! With Jonas Kaufmann | GoComGo.com

Viva Puccini! With Jonas Kaufmann

Opera de Monte-Carlo, Grimaldi Forum - Salle des Princes, Monaco, Monaco
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5 PM
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US$ 183

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Monaco, Monaco
Starts at: 17:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Marco Armiliato
Orchestra: Orchestre Philharmonique de Monte-Carlo
Programme
Overview

Puccini Centenary. Puccini's most beautiful arias

Following his enthusiastically applauded appearance in our homage to Enrico Caruso on the occasion of the legendary tenor’s 150th birthday and the Principality’s Fête Nationale in 2023, we are delighted to welcome back Jonas Kaufmann for a concert he specially designed in honour of Giacomo Puccini. At the same time, this evening concludes the Opéra de Monte-Carlo’s memorial events remembering the 100 years of the composer’s passing. Jonas Kaufmann is one of the few tenor superstars of today and amazes audiences on all continents with the intelligence of his interpretations, the ease with which he sings the most varied parts from the grand German, French and Italian repertoire, and of course the earthy bronze colour of his voice, which lets listeners’ hearts melt before soaring with ease to a radiant high C.

Among others, Jonas Kaufmann is currently one of the most sought-after interpreters of Puccini’s Cavaradossi in Tosca, Pinkerton in Madama Butterfly and Calaf in Turandot, which he sings on the world’s greatest stages. His concert repertoire, however, also contains arias from Puccini’s other works, some of which are less often heard. For the Orchestre Philharmonique de Monte-Carlo, our affiliated orchestra, this music is home ground too, which means that we can certainly look forward to a wonderful evening of italianità.

“I’m a great admirer of Puccini, and his music has fascinated me since I was 6 or 7. The turning point came when I attended a family performance of Madama Butterfly at the Bavarian Staatsoper, where I discovered the immense impact of his music. It entranced me, so to speak, and I remain under its spell to this day. As a singer, I experience this seductive power at first hand during numerous performances of Manon LescautLa bohèmeToscaLa fanciulla del West and Turandot, as well as during the many hours I spend rehearsing at the piano with the vocal coach and my partners. And yet I never get tired of it. The same goes for millions of audience members. Puccini’s music is so effective, it never goes out of fashion despite the passage of a century, even though we are saturated with all kinds of sounds and images these days. This is why I believe that Puccini will remain for the public the key to the magical world of opera.” Jonas Kaufmann

Venue Info

Opera de Monte-Carlo - Monaco
Location   Place du Casino

The Opéra de Monte-Carlo is an opera house, which is part of the Monte Carlo Casino located in the Principality of Monaco. With the lack of cultural diversions available in Monaco in the 1870s, Prince Charles III, along with the Société des Bains de mer, decided to include a concert hall as part of the casino. The main public entrance to the hall was from the casino, while Charles III's private entrance was on the western side. It opened in 1879 and became known as the Salle Garnier, after the architect Charles Garnier, who designed it During the renovation of the Salle Garnier in 2004–05, the company presented operas at the Salle des Princes in the local Grimaldi Forum, a modern conference and performance facility where Les Ballets de Monte Carlo and the Monte-Carlo Philharmonic Orchestra regularly perform.

Salle Garnier

The architect Charles Garnier also designed the Paris opera house now known as the Palais Garnier. The Salle Garnier is much smaller, seating 524, compared to about 2,000 for the Palais Garnier, and unlike the Paris theatre, which was started in 1861 and only completed in 1875, the Salle Garnier was constructed in only eight and a half months. Nevertheless, its ornate style was heavily influenced by that of the Palais Garnier, and many of the same artists worked on both theatres. Although the Monte Carlo theatre was not originally intended for opera, it was soon used frequently for that purpose and was remodeled in 1898–99 by Henri Schmit, primarily in the stage area, to make it more suitable for opera.

The hall was inaugurated on 25 January 1879 with a performance by Sarah Bernhardt dressed as a nymph. The first opera performed there was Robert Planquette's Le Chevalier Gaston on 8 February 1879, followed by three additional operas in the first season.

With the influence of the first director, Jules Cohen (who was instrumental in bringing Adelina Patti) and the fortunate combination of Raoul Gunsbourg, the new director from 1892, and Princess Alice, the opera-loving American wife of Charles III's successor, Albert I, the company was thrust onto the world's opera community stage. Gunsbourg remained for sixty years, overseeing such premiere productions as Hector Berlioz's La damnation de Faust in 1893, and the first appearances in January 1894 of the heroic Italian tenor Francesco Tamagno in Verdi's Otello, whose title role he had created for the opera's premiere in Italy. Conductor Arturo Vigna served as music director of the Monte Carlo Opera from 1895-1903.

By the early years of the twentieth century, the Salle Garnier was to see such great performers as Nellie Melba and Enrico Caruso in La bohème and Rigoletto (in 1902), and Feodor Chaliapin in the premiere of Jules Massenet's Don Quichotte (1910). This production formed part of a long association between the company and Massenet and his operas, two of which were presented there posthumously.

Other famous twentieth-century singers to appear at Monte Carlo included Titta Ruffo, Geraldine Farrar, Mary Garden, Tito Schipa, Beniamino Gigli, Claudia Muzio, Georges Thill, Lily Pons, and Mary McCormic.

Apart from Massenet, composers whose works had their first performances at Monte Carlo included: Saint-Saëns (Hélène, 1904); Mascagni (Amica, 1905); and Puccini (La rondine, 1917). Indeed, since its inauguration, the theatre has hosted 45 world premiere productions of operas. René Blum was retained to found the Ballet de l'Opéra. The "Golden Age" of the Salle Garnier has passed, since small companies with small houses are not able to mount highly expensive productions. Nonetheless, the present day company still presents a season containing five or six operas.

Gala Events in Salle Garnier

Twice in its 130-year history the Opéra was transformed into a spectacular venue to host gala-dinners. The first occasion was in 1966 for the celebration of centenary of Monte-Carlo hosted by Grace Kelly and Rainier III; the second was for the royal wedding of Prince Albert II and Princess Charlene. The Opéra was transformed for the third time on 27 July 2013 to host the Love Ball, a fundraising gala event organised by the Naked Heart Foundation.

Important Info
Type: Classical Concert
City: Monaco, Monaco
Starts at: 17:00
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