Kabukiza Theatre tickets 21 July 2026 - July Program at the Kabukiza Theatre | GoComGo.com

July Program at the Kabukiza Theatre

Kabukiza Theatre, Tokyo, Japan
All photos (3)
Select date and time
11 AM 4:15 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Show
City: Tokyo, Japan
Starts at: 16:15
Acts: 6
Intervals: 4

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Tickets are sold separately for each performance. They are valid only for the performance starting at the listed time.

Single Act Tickets (2nd Level seats)

A kabuki program is usually made up of several different plays and dances, but at the Kabukiza Theatre, 'Single Act Seats' are available so that you can watch just one of the acts.

Reservation available from the day before the performance date at 12:00 PM for every act.

You can choose to watch particular scenes at a short time. It is an ideal way to enjoy kabuki for both novices and experts, as well as tourists who want to save some of their time for sightseeing.You can choose to watch particular scenes at a short time. It is an ideal way to enjoy kabuki for both novices and experts, as well as tourists who want to save some of their time for sightseeing.

Programme:

The Matinee begins with the lively dance 'The Folding Fan', a dance adapted from the kyōgen comedy of the same name. It depicts humorously Tarōkaja’s misadventures after he misunderstands an errand entrusted to him by his master. This is followed by 'Mitsuhide's Rebellion', a powerful historical drama by Tsuruya Nanboku. The play depicts Takechi Mitsuhide's inner struggle after suffering an unjust humiliation at the hands of his lord, Oda Harunaga, and his eventual decision to rebel at Honnōji Temple. The Matinee ends with 'Lord Tsunatoyo at his Ohama Estate' from 'The Loyal 47 Rōnin of the Genroku Era'. Its highlight is the tense psychological duel between Tokugawa Tsunatoyo, the future shogun, and Tominomori Suke'emon, one of the Akō rōnin seeking vengeance for his lord's death.

The Evening Show begins with 'Shaving the Beard with a Sickle', one of the 'Eighteen Favorite Kabuki Plays'. This bold and dynamic act features the seemingly invincible Akushichibyōe Kagekiyo, who remains unharmed even after a sickle is drawn across his neck. This is followed by 'The Fight between Firefighters and Sumō Wrestlers'. A clash of pride between Edo's stylish firefighters and a group of sumō wrestlers erupts into a spectacular brawl, culminating in an exhilarating fight scene. The Evening Show ends with the splendid dance masterpiece, 'The Mirror Lion'. Audiences will be captivated by the striking transformation from the graceful palace maid Yayoi to the dynamic spirit of the lion.

Matinee (11:00 AM)

The Folding Fan

A feudal lord asks his servant Tarōkaja to purchase a suehiro (folding fan) as a gift for an important guest. Although given a detailed description, Tarōkaja has no idea what a suehiro is. In the capital, he asks passers-by if they have one for sale, only to be tricked by a rogue who sells him an umbrella instead. Before sending him on his way, the rogue teaches him a song and advises him to sing it if his master becomes angry. When Tarōkaja proudly presents the umbrella, his master immediately realizes the mistake and flies into a rage. Realising he has been deceived, Tarōkaja sings the song he learned from the rogue. To his surprise, the song softens his master's anger, and the two end up singing and dancing together in a joyful finale.

Mitsuhide's Rebellion

Based on the true historical story of Akechi Mitsuhide who betrayed his lord Oda Nobunaga and ruled Japan for a few short days before being defeated by Toyotomi Hideyoshi. This play focuses on Mitsuhide and his tortured relationship with the arrogant and unreasonable lord Nobunaga. It is one of the few period plays by Tsuruya Nanboku still performed today and brings the same sharp psychological insight and eye for the attractiveness of evil characters that make his ghost plays and plays about commoners so powerful. In this play, Nobunaga is called Harunaga. He orders Mitsuhide to supervise a reception ceremony for an important official. But the curtain around the enclosure has the crest of Mitsuhide's clan, and after beating him unmercifully, Harunaga has Mitsuhide struck on the forehead with an iron battle fan, leaving a big scar. In a later scene, Harunaga forces Mitsuhide to drink saké from a tub used to give water to horses and he humiliates Mitsuhide in other ways. In his heart of hearts, Mitsuhide decides to raise a rebellion against Harunaga.

Lord Tsunatoyo at his Ohama Estate from The Loyal 47 Rōnin of the Genroku Era

After Lord Asano Takumi no kami attacked and wounded Kira Kōzuke no suke within the shogun's palace in 1701, he was ordered to commit ritual suicide, his domain was confiscated and his retainers all became masterless samurai. A group of these masterless samurai are planning to avenge their lord's death by killing the man they hold responsible, Kira. The play is set in the year after Lord Asano's attack. Lord Tokugawa Tsunatoyo is holding a beachside party. Learning that Kira will attend this party, one of the masterless samurai, Tominomori Suke'emon, asks to observe from a distance. However, he hears from Lord Tsunatoyo that the Asano family will soon be reinstated, which means there will be no more reason for revenge. However, he ambushes Kira and makes his attack. The story focuses on the meanings of revenge.

Evening Show (4:15 PM )

Shaving the Beard with a Sickle from Kagekiyo's rebellion

After the fall of the Heike clan, the Genji warrior Mihonoya Shirō disguises himself as a blacksmith named Shirobē in Yamazaki near Kyoto in order to assassinate the famed Heike warrior Akushichibyōe Kagekiyo. Kagekiyo, disguised as a travelling priest, visits the forge and asks Shirobē to make him a sword. Hoping to render him helpless, Mihonoya plies him with saké, but Kagekiyo calmly drinks cup after cup. Once inside, Kagekiyo reveals his true identity. Mihonoya seizes the opportunity to strike, but even a sickle drawn across Kagekiyo's neck leaves him unharmed, revealing his extraordinary strength. Eventually surrounded and taken into custody, Kagekiyo accepts his fate with unwavering resolve.

The Fight between Firefighters and Sumō Wrestlers

They used to say that fights and fires were the flowers of the city of Edo. This particular play depicts a rivalry between the members of the Megumi firefighting brigade and a group of sumō wrestlers. Ultimately, this is a confrontation between the firefighters, who represent the commoner class, and the samurai patrons of the sumō wrestlers. The fight begins with a minor incident but grows into a situation of such tension that when Tatsugorō, the leader of the firefighting gang, goes to his final fight, he prepares for death and has an emotional parting from his family. The 'tachimawari' (fight scene) between firefighters and sumō wrestlers is very spectacular!

The Mirror Lion

The palace maid Yayoi performs an auspicious lion dance for the shōgun in his opulent palace, but as she does so she gradually finds herself coming under the control of the lion spirit. In the second half of the dance, the lion spirit itself appears and performs its frenzied dance among peonies and fluttering butterflies.

Venue Info

Kabukiza Theatre - Tokyo
Location   4 Chome-12-15 Ginza, Chuo City

Kabuki-za in Ginza is the principal theater in Tokyo for the traditional kabuki drama form.

The Kabuki-za was originally opened by a Meiji era journalist, Fukuchi Gen'ichirō. Fukuchi wrote kabuki dramas in which Ichikawa Danjūrō IX and others starred; upon Danjūrō's death in 1903, Fukuchi retired from the management of the theater. 

The original Kabuki-za was a wooden structure, built in 1889 on land which had been either the Tokyo residence of the Hosokawa clan of Kumamoto, or that of Matsudaira clan of Izu.

The building was destroyed on October 30, 1921, by an electrical fire. The reconstruction, which commenced in 1922, was designed to "be fireproof, yet carry traditional Japanese architectural styles", while using Western building materials and lighting equipment. Reconstruction had not been completed when it again burned down during the 1923 Great Kantō earthquake. Rebuilding was finally completed in 1924.

The theater was destroyed once again by Allied bombing during World War II. It was restored in 1950 preserving the style of 1924 reconstruction, and was until recently one of Tokyo's more dramatic and traditional buildings.

The 1950 structure was demolished in the spring of 2010, and rebuilt over the ensuing three years. Reasons cited for the reconstruction include concerns over the building's ability to survive earthquakes, as well as accessibility issues. A series of farewell performances, entitled Kabuki-za Sayonara Kōen 
 were held from January through April 2010, after which kabuki performances took place at the nearby Shinbashi Enbujō and elsewhere until the opening of the new theatre complex, which took place on March 28, 2013.

The style in 1924 was in a baroque Japanese revivalist style, meant to evoke the architectural details of Japanese castles, as well as temples of pre-Edo period. This style was kept after the post-war reconstruction and again after the 2013 reconstruction.

Inside, with the latest reconstruction the theatre was outfitted with four new front curtains called doncho. These are by renowned Japanese artists in the Nihonga style and reflect the different seasons.

Performances are exclusively run by Shochiku, in which the Kabuki-za Theatrical Corporation is the largest shareholder. They are nearly every day, and tickets are sold for individual acts as well as for each play in its entirety. As is the case for most kabuki venues, programs are organized monthly: each month there is a given set of plays and dances that make up the afternoon performance, and a different set comprising the evening show. These are repeated on a nearly daily schedule for three to four weeks, with the new month bringing a new program.

Important Info
Type: Show
City: Tokyo, Japan
Starts at: 16:15
Acts: 6
Intervals: 4
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