Nabucco

Hungarian State Opera House, Opera House, Budapest, Hungary

Scene 1 from the opera "Nabucco", photo 2

Scene 2 from the opera "Nabucco", photo 3

Scene 4 from the opera "Nabucco", photo 4

Scene 5 from the opera "Nabucco", photo 5

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7 PM

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Important Info

Type: Opera

City: Budapest, Hungary

Starts at: 19:00

Acts: 4

Duration: 3h

Sung in: Italian

Titles in: Hungarian,English,Italian

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

Overview

Verdi’s Nabucco was a milestone in the composer’s life, as he achieved his first genuinely sweeping success with this opera.

He was enchanted by the powerful Biblical story of the libretto, and this magic will stay with us forever through the depths and passion of music. The chorus “Va, pensiero...” became an anthem of liberty immediately after the premiere in 1842. With his spectacular directing, Gergely Kesselyák presents the shifts in the balance of powers and religions, the story of the demolition of the First Temple and the Babylonian captivity embedded in the eternal cycles of changing eras in world history.

History

Premiere of this production: 09 March 1842, Teatro alla Scala, Milan

Nabucco (short for Nabucodonosor) is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself.

Synopsis

Time: 587 BC
Place: Jerusalem and Babylon

Act 1: Jerusalem

'Thus saith the Lord, Behold, I shall deliver this city into the hand of the King of Babylon, and he will burn it with fire' (Jeremiah 21:10)
Interior of the Temple of Solomon

The Israelites pray as the Babylonian army advances on their city ("Gli arredi festivi giù cadano infranti" / "Throw down and destroy all festive decorations"). The High Priest Zaccaria tells the people not to despair but to trust in God ("D'Egitto là su i lidi" / "On the shores of Egypt He saved the life of Moses"). The presence of a hostage, Fenena, younger daughter of Nabucco, King of Babylon, may yet secure peace ("Come notte a sol fulgente" / "Like darkness before the sun"). Zaccaria entrusts Fenena to Ismaele, nephew of the King of Jerusalem and a former envoy to Babylon. Left alone, Fenena and Ismaele recall how they fell in love when Ismaele was held prisoner by the Babylonians, and how Fenena helped him to escape to Israel. Nabucco's supposed elder daughter, Abigaille, enters the temple with Babylonian soldiers in disguise. She, too, loves Ismaele. Discovering the lovers, she threatens Ismaele: if he does not give up Fenena, Abigaille will accuse her of treason. If Ismaele returns Abigaille's love, however, Abigaille will petition Nabucco on the Israelites' behalf. Ismaele tells Abigaille that he cannot love her and she vows revenge. Nabucco enters with his warriors ("Viva Nabucco" / "Long live Nabucco"). Zaccaria defies him, threatening to kill Fenena if Nabucco attacks the temple. Ismaele intervenes to save Fenena, which removes any impediment from Nabucco destroying the temple. He orders this, while Zaccaria and the Israelites curse Ismaele as a traitor.

Act 2: The Impious One

'Behold, the whirlwind of the Lord goeth forth, it shall fall upon the head of the wicked' (Jeremiah 30:23)
Scene 1: Royal apartments in Babylon

Nabucco has appointed Fenena regent and guardian of the Israelite prisoners, while he continues the battle against the Israelites. Abigaille has discovered a document that proves she is not Nabucco's real daughter, but the daughter of slaves. She reflects bitterly on Nabucco's refusal to allow her to play a role in the war with the Israelites and recalls past happiness ("Anch'io dischiuso un giorno" / "I too once opened my heart to happiness"). The High Priest of Bel informs Abigaille that Fenena has released the Israelite captives. He plans for Abigaille to become ruler of Babylon, and with this intention has spread the rumour that Nabucco has died in battle. Abigaille determines to seize the throne ("Salgo già del trono aurato" / "I already ascend the golden throne").

Scene 2: A room in the palace

Zaccaria reads over the Tablets of Law ("Vieni, o Levita" / "Come, oh Levite!"), then goes to summon Fenena. A group of Levites accuse Ismaele of treachery. Zaccaria returns with Fenena and his sister Anna. Anna tells the Levites that Fenena has converted to Judaism, and urges them to forgive Ismaele. Abdallo, a soldier, announces the death of Nabucco and warns of the rebellion instigated by Abigaille. Abigaille enters with the High Priest of Bel and demands the crown from Fenena. Unexpectedly, Nabucco himself enters; pushing through the crowd, he seizes the crown and declares himself not only king of the Babylonians but also their god. The high priest Zaccaria curses him and warns of divine vengeance; an incensed Nabucco in turn orders the death of the Israelites. Fenena reveals to him that she has embraced the Jewish religion and will share the Israelites' fate. Nabucco is furious and repeats his conviction that he is now divine ("Non son più re, son dio" / "I am no longer King! I am God!"). There is a crash of thunder and Nabucco promptly loses his senses. The crown falls from his head and is picked up by Abigaille, who pronounces herself ruler of the Babylonians.

Act 3: The Prophecy

'Therefore the wild beasts of the desert with the wild beasts of the islands shall dwell there, and the owls shall dwell therein'. (Jeremiah 50:39)
Scene 1: The Hanging Gardens of Babylon

Abigaille is now Queen of Babylon. The High Priest of Bel presents her with the death warrant for the Israelites, as well as for Fenena. Nabucco, still insane, tries to reclaim the throne without success. Though his consent to the death warrant is no longer necessary, Abigaille tricks him into signing it. When Nabucco learns that he has consigned his (true) daughter to death, he is overcome with grief and anger. He tells Abigaille that he is not in fact her father and searches for the document evidencing her true origins as a slave. Abigaille mocks him, produces the document and tears it up. Realizing his powerlessness, Nabucco pleads for Fenena's life ("Oh di qual onta aggravasi questo mio crin canuto" / "Oh, what shame must my old head suffer"). Abigaille is unmoved and orders Nabucco to leave her.

Scene 2: The banks of the River Euphrates

The Israelites long for their homeland ("Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings"). The high priest Zaccaria once again exhorts them to have faith: God will destroy Babylon. The Israelites are inspired by his words.

Act 4: The Broken Idol

'Bel is confounded, Merodach is broken to pieces; her idols are confounded, her images are broken in pieces.' (Jeremiah 50:2)
Scene 1: The royal apartments, Babylon

Nabucco awakens, still confused and raving. He sees Fenena in chains being taken to her death. In despair, he prays to the God of the Hebrews. He asks for forgiveness, and promises to rebuild the temple in Jerusalem and convert to Judaism if his prayers are answered ("Dio di Giuda" / "God of Judah!"). Miraculously, his strength and reason are immediately restored. Abdallo and loyal soldiers enter to release him. Nabucco resolves to rescue Fenena and the Israelites as well as to punish the traitors.

Scene 2: The Hanging Gardens of Babylon

Fenena and the Israelite prisoners are led in to be sacrificed ("Va! La palma del martirio" / "Go, win the palm of martyrdom"). Fenena serenely prepares for death. Nabucco rushes in with Abdallo and other soldiers. He declares that he will rebuild the Temple of Jerusalem and worship the God of the Israelites, ordering the destruction of the idol of Bel. At his word, the idol falls to the ground of its own accord and shatters into pieces. Nabucco tells the Israelites that they are now free and all join in praise of Jehovah. Abigaille enters, supported by soldiers. She has poisoned herself. She begs forgiveness of Fenena, prays for God's mercy and dies. Zaccaria proclaims Nabucco the servant of God and king of kings.

Venue Info

Hungarian State Opera House - Budapest
Andrássy út 22

The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. The Hungarian State Opera House is the main opera house of the country and the second largest opera house in Budapest and in Hungary. Today, the opera house is home to the Budapest Opera Ball, a society event dating back to 1886. The Theatre was designed by Miklós Ybl, a major figure of 19th-century Hungarian architecture.

Construction began in 1875, funded by the city of Budapest and by Emperor Franz Joseph I of Austria-Hungary, and the new house opened to the public on the 27 September 1884. Before the closure of the "Népszínház" in Budapest, it was the third largest opera building in the city; today it is the second largest opera house in Budapest and in Hungary.

Touring groups had performed operas in the city from the early 19th century, but as Legány notes, "a new epoch began after 1835 when part of the Kasa National Opera and Theatrical Troupe arrived in Buda". They took over the Castle Theatre and, in 1835, were joined by another part of the troupe, after which performances of operas were given under conductor Ferenc Erkel. By 1837 they had established themselves at the Magyar Színház (Hungarian Theatre) and by 1840, it had become the "Nemzeti Színház" (National Theatre). Upon its completion, the opera section moved into the Hungarian Royal Opera House, with performances quickly gaining a reputation for excellence in a repertory of about 45 to 50 operas and about 130 annual performances.

Many important artists were guests here including the composer Gustav Mahler, who was director in Budapest from 1888 to 1891 and Otto Klemperer, who was music director for three years from 1947 to 1950.

It is a richly decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than, and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world.

The auditorium holds 1,261 people. It is horseshoe-shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since the Budapest Opera House is still among the best in terms of acoustics.

In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best-known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also the founder of the Budapest Philharmonic Orchestra.

Each year the season lasts from September to the end of June and, in addition to opera performances, the House is home to the Hungarian National Ballet.

There are guided tours of the building in six languages (English, German, Spanish, French, Italian, and Hungarian) almost every day.