Hungarian State Opera House 19 November 2023 - Götterdämmerung | GoComGo.com

Götterdämmerung

Hungarian State Opera House, Opera House, Budapest, Hungary
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4 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 16:00
Acts: 3
Duration: 5h
Sung in: German
Titles in: Hungarian,English,German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Friendship, love, vows, contracts, the rights of guests–these are all fundamental values that may end up worthless in times of strife. Richard Wagner’s monumental, romantic Ring tetralogy is far from a strange story involving German mythological heroes, it is also about the economic, social, and ecological changes and the crisis of values experienced in the past two hundred years, or much rather in the present day.

This is especially important for director Géza M. Tóth, who after having directed Das RheingoldDie Walküre, and Siegfried, will be completing his direction of the tetralogy in the Opera’s season with Götterdämmerung. Just as in the three previous instalments of the tetralogy, the fundamental visual component of the theatrical universe of Götterdämmerung is the spectacle that moves synchronously to and holds a dialogue with the music, enveloping the entire stage and providing a special feeling of space.

Please note: occasionally using light effects that may be disturbing or excessively bright for some members of the audience.

History
Premiere of this production: 17 August 1876, Bayreuth Festspielhaus

Götterdämmerung (Twilight of the Gods) is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring for short).

Synopsis

Prologue

The three Norns, daughters of Erda, gather beside Brünnhilde's rock, weaving the rope of Destiny. They sing of the past and the present, and of the future when Wotan will set fire to Valhalla to signal the end of the gods. Without warning, their rope breaks. Lamenting the loss of their wisdom, the Norns disappear.

As day breaks, Siegfried and Brünnhilde emerge from their cave, high on a mountaintop surrounded by magic fire. Brünnhilde sends Siegfried off to new adventures, urging him to keep their love in mind. As a pledge of fidelity, Siegfried gives her the ring of power that he took from Fafner's hoard. Bearing Brünnhilde's shield and mounting her horse Grane, Siegfried rides away as an orchestral interlude (Siegfried's Journey to the Rhine) starts.

Act 1

The act begins in the Hall of the Gibichungs, a population dwelling by the Rhine. Gunther, lord of the Gibichungs, sits enthroned. His half-brother and chief minister, Hagen, advises him to find a wife for himself and a husband for their sister Gutrune. He suggests Brünnhilde for Gunther's wife, and Siegfried for Gutrune's husband. He reminds Gutrune that he has given her a potion that she can use to make Siegfried forget Brünnhilde and fall in love with Gutrune; under its influence, Siegfried will win Brünnhilde for Gunther. Gunther and Gutrune agree enthusiastically with this plan.

Siegfried appears at Gibichung Hall, seeking to meet Gunther. Gunther extends his hospitality to the hero, and Gutrune offers him the love potion. Unaware of the deception, Siegfried toasts Brünnhilde and their love. Drinking the potion, he loses his memory of Brünnhilde and falls in love with Gutrune instead. In his drugged state, Siegfried offers to win a wife for Gunther, who tells him about Brünnhilde and the magic fire which only a fearless person can cross. They swear blood-brotherhood (Hagen holds the drinking horn in which they mix their blood, but he does not join in the oath) and leave for Brünnhilde's rock. Hagen, left on guard duty, gloats that his so-called masters are unwittingly bringing the ring to him (Monologue: Hagen's watch).

Meanwhile, Brünnhilde is visited by her Valkyrie sister Waltraute, who tells her that Wotan returned from his wanderings with his spear shattered. Wotan is dismayed at losing his spear, as it has all the treaties and bargains he has made—everything that gives him power—carved into its shaft. Wotan ordered branches of the World tree, to be piled around Valhalla; sent his magic ravens to spy on the world and bring him news; and currently waits in Valhalla for the end. Waltraute begs Brünnhilde to return the ring to the Rhinemaidens, since the ring's curse is now affecting their father, Wotan. However, Brünnhilde refuses to relinquish Siegfried's token of love, and Waltraute rides away in despair.

Siegfried arrives, disguised as Gunther by using the Tarnhelm, and claims Brünnhilde as his wife. Though Brünnhilde resists violently, Siegfried overpowers her, snatching the ring from her hand and placing it on his own.

Act 2

Hagen, waiting by the bank of the Rhine, is visited in his semi-waking sleep (sitting up, eyes open, but motionless) by his father, Alberich. On Alberich's urging, he swears to kill Siegfried and acquire the ring. Alberich exits as dawn breaks. Siegfried arrives via Tarnhelm-magic, having resumed his natural form and left Brünnhilde on the boat with Gunther. Hagen summons the Gibichung vassals to welcome Gunther and his bride. He does this by sounding the war-alarm. The vassals are surprised to learn that the occasion is not battle, but their master's wedding and party.

Gunther leads in a downcast Brünnhilde, who is astonished to see Siegfried. Noticing the ring on Siegfried's hand, she realizes she has been betrayed—that the man who conquered her was not Gunther, but Siegfried in disguise. She denounces Siegfried in front of Gunther's vassals and accuses Siegfried of having seduced her himself. Siegfried, who does not remember ever having been Brünhilde's lover, places his hand on Hagen's spear and swears by it that her accusations are false. Brünnhilde seizes the tip of the spear and swears that they are true. Once again Hagen supervises silently as others take oaths to his advantage. But this time, since the oath is sworn on a weapon, the understanding is that if the oath is proven false, the weapon's owner should avenge it by killing the perjurer with that weapon. Siegfried then leads Gutrune and the bystanders off to the wedding feast, leaving Brünnhilde, Hagen, and Gunther alone by the shore. Deeply shamed by Brünnhilde's outburst, Gunther agrees to Hagen's suggestion that Siegfried must be killed in order for Gunther to regain his standing. Brünnhilde, seeking revenge for Siegfried's manifest treachery, joins the plot and tells Hagen that Siegfried would be vulnerable to a stab in the back. Hagen and Gunther decide to lure Siegfried on a hunting-trip and murder him. They sing a trio in which Brünnhilde and Gunther vow in the name of Wotan, "guardian of oaths", to kill Siegfried, while Hagen repeats his pledge to Alberich: to acquire the ring and rule the world through its power.

Act 3

In the woods by the bank of the Rhine, the Rhinemaidens mourn the lost Rhine gold. Siegfried happens by, separated from the hunting party. The Rhinemaidens urge him to return the ring and avoid its curse, but he laughs at them and says he prefers to die rather than bargain for his life. They swim away, predicting that Siegfried will die and that his heir, a lady, will treat them more fairly.

Siegfried rejoins the hunters, who include Gunther and Hagen. While resting, he tells them about the adventures of his youth. Hagen gives him another potion, which restores his memory, and he tells of discovering the sleeping Brünnhilde and awakening her with a kiss. Hagen stabs him in the back with his spear. The others look on in horror, and Hagen explains in three words ("Meineid rächt' ich!" – "I have avenged perjury!") that since Siegfried admitted loving Brünnhilde, the oath he swore on Hagen's spear was obviously false, therefore it was Hagen's duty to kill him with it. Hagen calmly walks away into the wood. Siegfried recollects his awakening of Brünnhilde and dies. His body is carried away in a solemn funeral procession (Siegfried's funeral march) that forms the interlude as the scene is changed and recapitulates many of the themes associated with Siegfried and the Wälsungs.

Back in the Gibichung Hall, Gutrune awaits Siegfried's return. Hagen arrives ahead of the funeral party. Gutrune is devastated when Siegfried's corpse is brought in. Gunther blames Siegfried's death on Hagen, who replies that Siegfried had incurred the penalty of his false oath, and further, claims the ring on Siegfried's finger by right of conquest. When Gunther objects, Hagen appeals to the vassals to support his claim. Gunther draws his sword but Hagen attacks and easily kills him. However, as Hagen moves to take the ring, Siegfried's hand rises threateningly. Hagen recoils in fear.

Brünnhilde makes her entrance and issues orders for a huge funeral pyre to be assembled by the river (the start of the Immolation Scene). She takes the ring and tells the Rhinemaidens to claim it from her ashes, once fire has cleansed it of its curse. Lighting the pyre with a firebrand, she sends Wotan's ravens home with "anxiously longed-for tidings", and to fly by the magic fire for Loge to fulfill his task. After an apostrophe to the dead hero, Brünnhilde mounts her horse Grane and rides into the flames.

A sequence of leitmotifs portray the fire flaring up, and the hall of the Gibichungs catching fire and collapsing. The Rhine overflows its banks, quenching the fire, and the Rhinemaidens swim in to claim the ring. Hagen tries to stop them but they drag him into the depths and drown him. As they celebrate the return of the ring and its gold to the river, a red glow is seen in the sky. As the Gibichungs watch, the interior of Valhalla is finally seen, with gods and heroes visible as described by Waltraute in Act 1. Flames flare up in the Hall of the Gods, hiding it and them from sight completely. As the gods are consumed in the flames, the curtain falls to the sound of the Erlösungsmotif—the redemption leitmotif.

Venue Info

Hungarian State Opera House - Budapest
Location   Andrássy út 22

The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. The Hungarian State Opera House is the main opera house of the country and the second largest opera house in Budapest and in Hungary. Today, the opera house is home to the Budapest Opera Ball, a society event dating back to 1886. The Theatre was designed by Miklós Ybl, a major figure of 19th-century Hungarian architecture.

Construction began in 1875, funded by the city of Budapest and by Emperor Franz Joseph I of Austria-Hungary, and the new house opened to the public on the 27 September 1884. Before the closure of the "Népszínház" in Budapest, it was the third largest opera building in the city; today it is the second largest opera house in Budapest and in Hungary.

Touring groups had performed operas in the city from the early 19th century, but as Legány notes, "a new epoch began after 1835 when part of the Kasa National Opera and Theatrical Troupe arrived in Buda". They took over the Castle Theatre and, in 1835, were joined by another part of the troupe, after which performances of operas were given under conductor Ferenc Erkel. By 1837 they had established themselves at the Magyar Színház (Hungarian Theatre) and by 1840, it had become the "Nemzeti Színház" (National Theatre). Upon its completion, the opera section moved into the Hungarian Royal Opera House, with performances quickly gaining a reputation for excellence in a repertory of about 45 to 50 operas and about 130 annual performances. 

Many important artists were guests here including the composer Gustav Mahler, who was director in Budapest from 1888 to 1891 and Otto Klemperer, who was music director for three years from 1947 to 1950.

It is a richly decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than, and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world.

The auditorium holds 1,261 people. It is horseshoe-shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since the Budapest Opera House is still among the best in terms of acoustics.

In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best-known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also the founder of the Budapest Philharmonic Orchestra.

Each year the season lasts from September to the end of June and, in addition to opera performances, the House is home to the Hungarian National Ballet.

There are guided tours of the building in six languages (English, German, Spanish, French, Italian, and Hungarian) almost every day.

Important Info
Type: Opera
City: Budapest, Hungary
Starts at: 16:00
Acts: 3
Duration: 5h
Sung in: German
Titles in: Hungarian,English,German
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