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Trois Gnossiennes Tickets

Guangzhou Opera House, Guangzhou, China
Trois Gnossiennes
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Available Dates: 23 Aug, 2026 (1 events)
Important Info
Type: Composition
City: Guangzhou, China

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Claude Debussy
Composer: Erik Satie
Composer: Erik Satie
Composer: Francis Poulenc
Choreographer: Hans van Manen
Choreographer: Hans van Manen
Overview

These Three Gnossiennes were composed around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely; the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time.

These Gnossiennes were first published in Le Figaro musical No. 24 of September 1893 (Gnossiennes Nos. 1 and 3, the last one of these then still "No. 2") and in Le Cœur No. 6–7 of September–October 1893 (Gnossienne No. 2 printed as facsimile, then numbered "No. 6").

The first grouped publication, numbered as known henceforth, followed in 1913. By this time Satie had indicated 1890 as composition date for all three. The first Gnossienne was dedicated to Alexis Roland-Manuel in the 1913 reprint. The 1893 facsimile print of the 2nd Gnossienne contained a dedication to Antoine de La Rochefoucauld, not repeated in the 1913 print. This de La Rochefoucauld had been a co-founder of Joséphin Péladan's Ordre de la Rose-Croix Catholique et Esthetique du Temple et du Graal in 1891. By the second publication of the first set of three Gnossiennes, Satie had broken already for a long time with all Rosicrucian type of endeavours.

Also with respect to the tempo these Gnossiennes follow the Gymnopédies line: slow tempos, respectively Lent (French for Lento/slow), avec étonnement ("with astonishment"), and again Lent.

A sketch containing only two incomplete bars, dated around 1890, shows Satie beginning to orchestrate the 3rd Gnossienne.

The first and third Gnossiennes share a similar chordal structures, rhythm and share reference to each other's thematic material.

History

These Three Gnossiennes were composed around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely; the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time.

Venue Info

Guangzhou Opera House - Guangzhou
Location   No.1 Zhujiang West Road, Zhujiang New Town, Tianhe District

Guangzhou Opera House is a Chinese opera house in Guangzhou, Guangdong province, People's Republic of China. Designed by Zaha Hadid, it opened on the 9th of May in 2010.

In April 2002 an international architectural competition attracted Coop Himmelb(l)au, Rem Koolhaas and Zaha Hadid – each producing detailed designs. In November 2002, Zaha Hadid's "double pebble" was announced the winner and the groundbreaking ceremony was held early in 2005.

The theatre has become the biggest performing centre in southern China and is one of the three biggest theatres in the nation alongside Beijing's National Centre for the Performing Arts and Shanghai's Shanghai Grand Theatre. May 2010 saw American filmmaker Shahar Stroh direct the premiere production of the opera house: Puccini's opera Turandot which had in previous years been a controversial opera in China.

The structure was designed by Iraqi architect Zaha Hadid. It is conceived as two rocks washed away by the Pearl River. Its freestanding concrete auditorium set within an exposed granite and glass-clad steel frame took over five years to build, and was praised upon opening by architectural critic Jonathan Glancey in The Guardian, who called it "at once highly theatrical and insistently subtle."

Important Info
Type: Composition
City: Guangzhou, China

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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