Grand Theatre de Provence tickets 6 July 2026 - Die Frau ohne Schatten | GoComGo.com

Die Frau ohne Schatten

Grand Theatre de Provence, Aix-en-Provence, France
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7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Aix-en-Provence, France
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 50min
Sung in: German
Titles in: French,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Klaus Mäkelä
Tenor: Michael Spyres (The Emperor)
Orchestra: Orchestre de Paris
Baritone: Brian Mulligan (Barak, the Dyer)
Choir: Choir de Paris
Soprano: Nina Stemme (The Nurse)
Soprano: Tamara Wilson (The Dyer`s Wife)
Soprano: Vida Mikneviciute (The Empress)
Creators
Composer: Richard Strauss
Director: Barrie Kosky
Librettist: Hugo von Hofmannsthal
Overview

As dawn breaks on the terrace of the palace, the verdict is final: if the Empress does not acquire the shadow she lacks within three days, her husband will be turned to stone.

At what cost can the implacable prophecy be thwarted? Forced to mingle with humans, the woman without a shadow discovers a world of cruelty and pain, but also of kindness and generosity, a world that will transform her. An initiatory fresco teeming with symbolism and accompanied by the most sumptuous music, this most ambitious collaboration between Strauss and Hofmannsthal tackles, in the midst of World War I, a question that is more pressing than ever: what is the essence of humanity and why should it be perpetuated? In contrast to modern scepticism, it offers a vision full of hope and reiterates the urgency of storytelling in an age of disenchantment. Inspired by Barrie Kosky’s visionary ingenuity, Klaus Mäkelä chose this extraordinary work for his true debut in the pit, at the helm of the Orchestre de Paris and an exceptional cast.

NEW PRODUCTION OF THE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH LA MONNAIE / DE MUNT, GREEK NATIONAL OPERA

History
Premiere of this production: 10 October 1919, Vienna State Opera

Die Frau ohne Schatten (The Woman without a Shadow) is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered in Vienna on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire.

Synopsis

The opera's story is set in the mythical empire of the Southeastern Islands and involves five principal characters: the Emperor (tenor), the Empress (soprano), her Nurse (mezzo-soprano), Barak, a lowly dyer (bass-baritone), and the Dyer's Wife (dramatic soprano). A sixth character, Keikobad, King of the Spirit Realm and father to the Empress, sets the plot in motion, but never appears on stage. The Empress is half human: she was captured by the Emperor in the form of a gazelle. She assumed human shape and he married her, but she has no shadow. This symbolizes her inability to bear children. Keikobad has decreed that unless the Empress gains a shadow before the end of the twelfth moon, she will be reclaimed by her father and the Emperor will turn to stone.

Act 1

Scene 1

It is dawn, outside the bedchambers of the Emperor and Empress. The Messenger of Keikobad arrives, and tells the Empress's nurse that the Empress must acquire a shadow within three days, or will be forcibly returned to his realm, and the Emperor turned to stone. The Nurse is excited about the prospect of returning to the spirit world, since she hates humans and having to dwell with them.

The Messenger leaves and the Emperor emerges from his bedchamber. He departs on a three-day hunting trip, seeking his favorite falcon, which he drove away for attacking a gazelle that later turned into the Empress. He leaves his wife to the Nurse's care. The Empress emerges from her chamber and reminisces about times when she had the ability to turn into any creature she wanted.

It is revealed that after being attacked by the red falcon that the Emperor is seeking, she lost a talisman that gave transformation powers, and on which was inscribed a curse that foresaw the fate she and the Emperor are about to face if she does not acquire a shadow. The red falcon appears and warns the Empress that the curse is about to be fulfilled. The Empress begs the Nurse to help her get a shadow. The Nurse, who is steeped in magic, suggests descending to the mortal world and finding a woman who will sell her shadow to the Empress.

Scene 2

Barak, a dyer, shares his hut with his Wife and his three brothers: the One-Eyed Man, the One-Armed Man, and the Hunchback. The three brothers fight about a stolen item and are separated by the Wife, who throws a bucket of water at them. The brothers-in-law then argue with the Wife. Barak enters and stops the argument. The Wife wants to have her in-laws thrown out, but her husband refuses.

The Dyer desires children, but his Wife fears the responsibility and has secretly sworn not to have any. The Dyer and his brothers leave, and the Empress and the Nurse arrive in disguise. The Wife wants them out of her house but the Nurse conjures up visions of luxury and promises them to the Wife in return for her shadow. The Wife agrees to deny her husband for three days during which the Nurse and the Empress will live at the Dyer's hut as poor relatives who have come to work as servants.

Barak approaches and the Wife is worried that dinner is not ready, the Nurse once more uses her magic to have everything ready, including the splitting of Barak's bed in two. The Nurse and Empress disappear, and the Wife is greatly upset by the offstage Voices of Unborn Children lamenting, which emerge from the fish that are cooking on the fire. The Dyer returns to find he is barred from his marital bed. The Wife curtly informs him of the impending stay of her "cousins" and goes off to her separate bed. From outside the Town Watchmen are heard singing of the importance of conjugal love. Barak sighs and lies down to sleep on the floor.

Act 2

Scene 1

The Empress, acting as a servant, helps the Dyer leave for work, but is troubled by her role, because Barak is very kind to her. The Nurse conjures up the image of a handsome youth by bringing a broom to life, which tempts the Dyer's Wife. The Dyer returns with his hungry brothers and beggar children. He has had a magnificent day at the market, selling all his goods, and has invited everyone to celebrate. However, his Wife manages to ruin the celebration.

Scene 2

The Emperor is led to his hunting lodge in the forest by the red falcon. He sees the Empress and Nurse surreptitiously enter the lodge, and is suspicious. When he comes closer, he smells a human odor trailing the Empress. Thinking she has betrayed him, he resolves to kill her. He first thinks of using an arrow, and then his sword, and then his bare hands. Finally he realizes he can't do it. He resolves to seek out some isolated ravine to be alone with his misery.

Scene 3

At the Dyer's house, the Dyer is drugged into sleep by the Nurse. The Nurse again conjures up the young man for the Wife, who grows frightened and rouses the Dyer. Barak is surprised to learn that there is a man in his house but then is quickly turned upon by his Wife, who shouts at him, then leaves for the city, leaving her confused husband. Left alone with Barak, the Empress feels more guilty than before.

Scene 4

The Empress goes to sleep at the hunting lodge, but in her sleep she is further troubled by her crime and by the possible fate of the Emperor. In a dream, she sees the Emperor enter her father's realm. Unseen choruses chant the curse of the talisman. Awakening, she is overcome with guilt and remorse.

Scene 5

The next day, the Wife announces that she has sold her shadow. When a fire reveals that she has no shadow, the enraged Barak is ready to kill her. The Empress cries out that she no longer wants the shadow. A sword appears in the Dyer's hand. His brothers restrain him as the Wife declares her remorse and urges Barak to kill her. An earthquake splits the ground and Barak and his wife are swallowed into the earth. The brothers flee, and the Nurse, recognizing Keikobad's hand, spirits the Empress away.

Act 3

Scene 1

In a grotto beneath the realm of Keikobad, the wife and the Dyer are seen in separate chambers, unaware of the other's presence. The Wife is haunted by the Voices of Unborn Children. She protests that she loves the Dyer, who regrets his attempted violence. A voice directs them up separate staircases.

Scene 2

The Empress and Nurse arrive before Keikobad's Temple. The Nurse tries to convince the Empress to escape but she remembers the doors from her dream and knows that her father is waiting for her on the other side. She dismisses the Nurse and enters. The Nurse foretells terrible tortures awaiting the Empress and misleads the Wife and Barak, who are looking for each other, she to die at her husband's hand, he to forgive her and hold her in his arms. Keikobad's Messenger condemns the Nurse to wander the mortal world.

Scene 3

Inside the Temple, the Empress speaks to Keikobad, asking for forgiveness and to find her place amongst those who cast shadows. Keikobad does not answer but shows the Emperor already almost petrified. The Fountain of Life springs up before the Empress, and a temple guardian urges her to drink from it and claim the Wife's shadow for herself. But the Dyer and the Wife are heard offstage, and the Empress refuses to steal their future happiness and become human by robbing humanity from someone else: "Ich will nicht!" ("I will not!"). This act of renunciation frees her: she receives a shadow, and the Emperor is restored to natural form

Scene 4

The scene changes to a beautiful landscape. Barak and his Wife are reunited and she regains her own shadow. Both couples sing of their humanity and praise their Unborn Children.

Venue Info

Grand Theatre de Provence - Aix-en-Provence
Location   380 Avenue Max Juvénal

The Grand Théâtre de Provence (GTP) is a performance hall located in Aix-en-Provence in the new "Sextius Mirabeau" district. A symbol of the Aix region was used for the design of the volumes of this room: the Sainte-Victoire mountain, recalled in particular by the stones of different colors on the outside.

Inaugurated on June 29, 2007 with the opera La Valkyrie by Richard Wagner, it was designed by the Italian architects Vittorio Gregotti and Paolo Colao to host operas and concerts of the Festival international d'art lyrique d'Aix-en-Provence and funded by the Pays d'Aix community.

It has 1,370 seats, including 950 on the floor.

Directed since its opening by Dominique Bluzet, as part of a public service delegation, it hosts dance performances and symphonic or chamber music concerts. Since 2013, it has served as a setting for the Aix-en-Provence Easter Festival, created by violinist Renaud Capuçon and Dominique Bluzet with the support of the CIC.

This theater is mounted on a spring, in order to effectively eliminate parasitic vibrations from the nearby railway track.

The Grand Théâtre de Provence has been the residence of the French Youth Orchestra since December 2007, of the Café Zimmermann ensemble since 2011, and of the Philharmonic Chamber since 2015/2016.

Important Info
Type: Opera
City: Aix-en-Provence, France
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h 50min
Sung in: German
Titles in: French,English
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