Festival Hall Congress Centrum Heidenheim 18 July 2026 - Macbeth | GoComGo.com

Macbeth

Festival Hall Congress Centrum Heidenheim, Heidenheim, Germany
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7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Heidenheim, Germany
Starts at: 19:30
Acts: 4
Sung in: Italian
Titles in: German

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Festival

Heidenheim Opera Festival 2026

The Heidenheim Opera Festival 2026 (Opernfestspiele Heidenheim) returns from 6 June to 26 July with a season that explores the theme "MachtMenschen!" ("Power and Humanity"). Set around the impressive Hellenstein Castle in southern Germany, the festival combines the unique atmosphere of open-air opera with the musical excellence that has established Heidenheim as one of Europe's most respected summer opera festivals.

Overview

Macbeth is beckoning: After three witches prophesied that he would be made Lord of Cawdor – and the prophecy came true shortly thereafter – it is likely that the second prophecy will also come true. Macbeth is to become King of Scotland. But while he became Lord of Cawdor without any effort of his own, the general now seems to have to take his destiny into his own hands.

…also inspires Lady Macbeth. As soon as she learns of the prophecy, she plots to seize the crown for her husband. Macbeth cannot resist her relentless lust for power, and so he agrees to stab the king in bed. But it is not only the weight of the crown that oppresses him—his conscience increasingly torments him as well. Unforeseen consequences follow this transgression against the natural order, soon threatening his newfound power…

Giuseppe Verdi embarked on this path with Macbeth . It was an attempt to break free from the traditional Rossini operatic form through melodrama . This resulted in a close connection to Shakespearean drama, which is not bound by the formal conventions of opera. Furthermore, the greater freedom of form allowed for more nuanced characterization in the music – an early masterpiece by Verdi, considering that Macbeth is only his tenth opera and thus part of the internationally acclaimed series of early Verdi operas at the OH!.

History
Premiere of this production: 18 March 1847, Teatro della Pergola, Florence

Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. Macbeth was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, Macbeth was revised and expanded in a French version and given in Paris on 19 April 1865.

Synopsis

Place: Scotland
Time: 11th century

Act 1

Scene 1: A heath

Groups of witches gather in a wood beside a battlefield, exchanging stories of the "evils" they have done. The victorious generals Macbeth and Banco enter. The witches hail Macbeth as Thane of Glamis (a title he already holds by inheritance), Thane of Cawdor, and king "hereafter." Banco is greeted as "lesser than Macbeth, but greater", never a king himself, but the progenitor of a line of future kings. The witches vanish, and messengers from the king appear naming Macbeth Thane of Cawdor. Macbeth protests that the holder of that title is still alive, but the messengers reply that the former Thane has been executed as a traitor. Banco, mistrusting the witches, is horrified to find that they have spoken the truth. In a duet, Macbeth and Banco muse that the first of the witches' prophecies has been fulfilled. Macbeth ponders how close he is to the throne, and whether fate will crown him without his taking action, yet dreams of blood and treachery: while Banco ponders on whether the minions of Hell will sometimes reveal an honest truth in order to lead one to future damnation.

Scene 2: Macbeth's castle

Lady Macbeth reads a letter from her husband telling of the encounter with the witches. She is determined to propel Macbeth to the throne - by fair means or foul.

Lady Macbeth is advised that King Duncan will stay in the castle that night; she is determined to see him killed (Or tutti, sorgete / "Arise now, all you ministers of hell"). When Macbeth returns she urges him to take the opportunity to kill the King. The King and the nobles arrive and Macbeth is emboldened to carry out the murder (Mi si affaccia un pugnal? / "Is this a dagger which I see before me?"), but afterwards is filled with horror. Disgusted at his cowardice, Lady Macbeth completes the crime, incriminating the sleeping guards by smearing them with Duncan's blood and planting on them Macbeth's dagger. Macduff arrives for an appointment with the King, while Banco stands guard, only for Macduff instead to discover the murder. He rouses the castle while Banco also bears witness to the fact of Duncan's murder. The chorus calls on God to avenge the killing (Schiudi, inferno, . . / "Open wide thy gaping maw, O Hell").

Act 2

Scene 1: A room in the castle

Macbeth is now king: Duncan's son Malcolm has fled the country, suspicion having conveniently fallen on him for his father's murder: but Macbeth is still disturbed by the prophecy that Banco, not he, will found a great royal line. To prevent this he tells his wife that he will have both Banco and his son murdered as they come to a banquet.

Scene 2: Outside the castle

A gang of murderers lie in wait. Banco, sensing danger shares his misgivings with his son. (Come dal ciel precipita / "O, how the darkness falls from heaven"). The murderers attack and stab him to death, but his son escapes.

Scene 3: A dining hall in the castle

Macbeth receives the guests and Lady Macbeth sings a brindisi (Si colmi il calice / "Fill up the cup"). The assassination is reported to Macbeth, but when he returns to the table the ghost of Banco is sitting in his place. Macbeth raves at the ghost and the horrified guests believe he has gone mad. Lady Macbeth manages to calm the situation once - and even mocks it by calling for a toast to the absent Banco (whose death is not yet public knowledge), only for the ghost to appear a second time and terrify Macbeth into insanity again. Macduff resolves to leave the country, saying it is ruled by a cursed hand and only the wicked may remain: the other guests are terrified by Macbeth's talk of ghosts, phantoms and witches. The banquet ends abruptly with their hurried, frightened departure.

Act 3

The witches' cave

The witches gather around a cauldron in a dark cave. Macbeth enters and they conjure up three apparitions for him. The first advises him to beware of Macduff. The second tells him that he cannot be harmed by a man 'born of woman'. The third that he cannot be conquered till Birnam Wood marches against him. (Macbeth: O lieto augurio / "O, happy augury! No wood has ever moved by magic power")

Macbeth is then shown the ghost of Banco and his descendants, eight future Kings of Scotland, verifying the original prophecy. (Macbeth: Fuggi regal fantasima / "Begone, royal phantom that reminds me of Banco"). He collapses, but regains consciousness in the castle.

The act ends with Macbeth recovering and resolving to assert his authority: Vada in fiamme, e in polve cada / "Macduff's lofty stronghold shall / Be set fire....".

Act 4

Scene 1: Near the border between England and Scotland

Scottish refugees stand near the English border (Chorus: Patria oppressa / "Down-trodden country"):
While each version uses the same libretto, the music of this chorus is different. It begins with a less ominous, much shorter orchestral introduction and is sung straight through by the entire chorus.

In the distance lies Birnam Wood. Macduff is determined to avenge the deaths of his wife and children at the hands of the tyrant (Ah, la paterna mano / "Ah, the paternal hand"). He is joined by Malcolm, the son of King Duncan, and the English army. Malcolm orders each soldier to cut a branch from a tree in Birnam Wood and carry it as they attack Macbeth's army. They are determined to liberate Scotland from tyranny (Chorus: La patria tradita / "Our country betrayed").

Scene 2: Macbeth's castle

A doctor and a servant observe the Queen as she walks in her sleep, wringing her hands and attempting to clean them of blood (Una macchia è qui tuttora! / "Yet here's a spot"). She raves about the deaths of both Duncan and Banco, and even about the deaths of Macduff's family, and that all the perfumes of Arabia would not clean the blood off her hands: all are things that the horrified witnesses would never dare to repeat to any living man.

Scene 3: The battlefield

Macbeth has learned that an army of Scottish rebels backed by England is advancing against him, but is reassured by remembering the words of the apparitions, that no man born of woman can harm him. However, in an aria (Pietà, rispetto, amore / "Compassion, honour, love") he contemplates the fact that he is already hated and feared: there will be no compassion, honour and love for him in his old age even if he wins this battle, nor kind words on a royal tomb, only curses and hatred. He receives the news of the Queen's death with indifference. Rallying his troops he learns that Birnam Wood has indeed come to his castle. Battle is joined.

Macduff pursues and fights Macbeth who falls. He tells Macbeth that he was not "born of woman" but "ripped" from his mother's womb. Fighting continues. Mortally wounded, Macbeth, in a final aria - Mal per me che m'affidai / "Trusting in the prophecies of Hell" - proclaims that trusting in these prophecies has caused his downfall. He dies on stage, while Macduff's men proclaim Malcolm to be the new King.

Venue Info

Festival Hall Congress Centrum Heidenheim - Heidenheim
Location   Hugo-Rupf-Platz 1

Festspielhaus Congress Center Heidenheim is the modern festival hall with excellent acoustics.

The Festspielhaus with its excellent acoustics is only a few steps away from the Knights' Hall. Depending on the weather, the events take place in the Hellenstein Open Air Castle Knights' Hall or in the Festspielhaus Congress Centrum Heidenheim. With the new Congress Center and the four-star superior hotel, a modern, multifunctional ensemble for congresses, conferences, events and music theater was created on the Heidenheimer Schlossberg, on an area of ​​approx. 42,400 m² embedded between the natural theater and Hellenstein Castle. As part of an architectural competition, the design by the Dasch office, Zürn, by Scholley from Stuttgart was selected from 30 proposals.

In order to preserve this, the structure of the Congress Center was integrated into a depression. For the construction of the four-star superior hotel, which is connected to the congress center by a glazed passageway, and the underground car park between the congress center and the conference hotel, it was necessary to remove about 16 meters of height from the Schlossberg, so that the eaves line of the conference hotel changed today is roughly at the height of the former site high point. The earthworks required for this with a total volume of over 181,000 m³, mostly in solid rock, could only be managed to a large extent with the help of heavy chisel excavators. About 40,000 m³ of rock had to be broken up using controlled loosening blasting.

The heart of the Congress Center, the Martin-Hornung-Saal (Great Hall) with a maximum of 1,300 seats, is arranged centrally as an inverted truncated pyramid with its anthracite-colored zinc façade. All the other elements of the congress center are arranged around it, such as the small hall (250 seats), conference rooms, cloakrooms and generously designed, light-flooded foyer areas. The overall concept is designed for multifunctional use. In the Martin Hornung Hall, the first eight rows of parquet floors are adjoined by a telescopic grandstand, which can be completely retracted into a "garage" below the gallery for trade fairs or standing events. The stage with a stage area of ​​approx.

In order to be prepared for any type and size of trade fairs, conferences and congresses, the conference rooms, the small hall and the gallery can be combined or separated in a variety of ways using mobile partition walls to create different room sizes. The whole thing is supported by modern and flexible media, conference and lighting technology. In addition to the full kitchen of the adjacent conference hotel, a separate catering kitchen is available directly in the congress center for catering, so that gala events can easily accommodate more than 600 guests at the same time.

Important Info
Type: Opera
City: Heidenheim, Germany
Starts at: 19:30
Acts: 4
Sung in: Italian
Titles in: German
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