Events in Hong Kong tickets 17 May 2025 - The Magic Flute | GoComGo.com

The Magic Flute

Events in Hong Kong, Hong Kong Cultural Centre - Grand Theatre, Hong Kong, China
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7:30 PM
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US$ 95

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Hong Kong, China
Starts at: 19:30
Sung in: German
Titles in: Chinese,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choir: Opera Hong Kong Chorus
Orchestra: Opera Hong Kong Orchestra
Creators
Opera Company: Opera Hong Kong
Composer: Wolfgang Amadeus Mozart
Librettist: Emanuel Schikaneder
Director: Shen Liang
Overview

The Magic Flute has been enchanting the worldwide audience for over two centuries – from the fairy-tale love story of Prince Tamino and Pamina, to the solemn music of Sarastro, and the brilliant coloratura aria of the Queen of the Night, offering magical spectacle and dazzling vocal display.

History
Premiere of this production: 30 September 1791, Theater auf der Wieden, Vienna

The Magic Flute (German: Die Zauberflöte) is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.

Synopsis

The opera begins with the overture, which Mozart composed last.

Act 1

Scene 1: A rough, rocky landscape

Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: "Zu Hilfe! Zu Hilfe!" segued into trio: "Stirb, Ungeheuer, durch uns're Macht!"). He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave. After arguing, they reluctantly decide to leave together.

Tamino wakes up, and is surprised to find himself still alive. Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend (aria: "Der Vogelfänger bin ich ja"). Tamino introduces himself to Papageno, thinking Papageno killed the serpent. Papageno happily takes the credit – claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie. They give Tamino a portrait of the Queen of the Night's daughter Pamina, with whom Tamino falls instantly in love (aria: "Dies Bildnis ist bezaubernd schön" / This image is enchantingly beautiful).

The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon. Tamino vows to rescue Pamina. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative and aria: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son!). The Queen leaves and the ladies remove the padlock from Papageno's mouth with a warning not to lie any more. They give Tamino a magic flute which has the power to change sorrow into joy. They tell Papageno to go with Tamino, and give him (Papageno) magic bells for protection. The ladies introduce three child-spirits, who will guide Tamino and Papageno to Sarastro's temple. Together Tamino and Papageno set forth (Quintet: "Hm! Hm! Hm! Hm!").

Scene 2: A room in Sarastro's palace

Pamina is dragged in by Sarastro's slaves, apparently having tried to escape. Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: "Du feines Täubchen, nur herein!"). Monostatos and Papageno are each terrified by the other's strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love (duet: "Bei Männern welche Liebe fühlen").

Finale. Scene 3: A grove in front of a temple

The three child-spirits lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: "Zum Ziele führt dich diese Bahn"). Tamino approaches the left-hand entrance and is denied access by voices from within. The same happens when he goes to the entrance on the right. But from the entrance in the middle, an old priest appears and lets Tamino in. (The old priest is referred to as "The Speaker" in the libretto, but his role is a singing role.) He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. He promises that Tamino's confusion will be lifted when Tamino approaches the temple in a spirit of friendship. Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him (aria: "Wie stark ist nicht dein Zauberton").

Papageno and Pamina enter, searching for Tamino (trio: "Schnelle Füße, rascher Mut"). They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music (chorus: "Das klinget so herrlich"). Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth. Sarastro enters, with a crowd of followers. (chorus: "Es lebe Sarastro!")

Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her. Sarastro receives her kindly and assures her that he wishes only for her happiness. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. Pamina, he says, must be guided by a man.

Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among Sarastro's followers. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina's husband. The priests declare that virtue and righteousness will sanctify life and make mortals like gods ("Wenn Tugend und Gerechtigkeit").

Act 2

Scene 1: A grove of palms

The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. He invokes the gods Isis and Osiris, asking them to protect Tamino and Pamina (Aria and chorus: "O Isis und Osiris").

Scene 2: The courtyard of the Temple of Ordeal

Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: "Bewahret euch von Weibertücken"). The three ladies appear and try to frighten Tamino and Papageno into speaking. (Quintet: "Wie, wie, wie") Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion.

Scene 3: A garden

Pamina is asleep. Monostatos approaches and gazes upon her with rapture. (Aria: "Alles fühlt der Liebe Freuden") He is about to kiss the sleeping Pamina, when the Queen of the Night appears. Monostatos hides. In response to the Queen's questioning, Pamina explains that Tamino is joining Sarastro's brotherhood and she is thinking of accompanying him too. The Queen is not pleased. She explains that her husband was the previous owner of the temple and on his deathbed, gave the ownership to Sarastro instead of her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother). She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. (Aria: "Der Hölle Rache kocht in meinem Herzen"). She leaves. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: "In diesen heil'gen Hallen").

Scene 4: A hall in the Temple of Ordeal

Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro (Trio: "Seid uns zum zweiten Mal willkommen"). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "Ach, ich fühl's, es ist verschwunden") She leaves in despair.

Scene 5: The pyramids

The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: "O Isis und Osiris"). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". (Trio: Sarastro, Pamina, Tamino – "Soll ich dich, Teurer, nicht mehr sehn?" Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following Sarastro's aria "O Isis und Osiris".) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: "Ein Mädchen oder Weibchen"). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.

Finale. Scene 6: A garden

The three child-spirits hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The child-spirits restrain her and reassure her of Tamino's love. (Quartet: "Bald prangt, den Morgen zu verkünden").

Scene change without interrupting the music, to Scene 7: Outside the Temple of Ordeal

Two men in armor lead in Tamino. They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death ("Der, welcher wandert diese Strasse voll Beschwerden"). This recitation takes the musical form of a Baroque chorale prelude, to a tune inspired by Martin Luther's hymn "Ach Gott, vom Himmel sieh darein" (Oh God, look down from heaven).Tamino declares that he is ready to be tested. Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her. Pamina enters and declares her intention to undergo the remaining trials with him. She hands him the magic flute to help them through the trials ("Tamino mein, o welch ein Glück!"). Protected by the music of the magic flute, they pass unscathed through chambers of fire and water. Offstage, the priests hail their triumph and invite the couple to enter the temple.

Scene change without interrupting the music, to Scene 8: A garden with a tree

Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: "Papagena! Papagena! Papagena! Weibchen, Täubchen, meine Schöne") The three child-spirits appear and stop him. They advise him to play his magic bells to summon Papagena. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together (Duet: "Pa... pa... pa...").

Scene change without interrupting the music, to Scene 9: A rocky landscape outside the temple; night

The traitorous Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple ("Nur stille, stille") and the Queen confirms that she has promised her daughter Pamina to Monostatos. But before the conspirators can enter the temple, they are magically cast out into eternal night.

Scene change without interrupting the music, to Scene 10: The Temple of the Sun

Sarastro announces the sun's triumph over the night, and hails the dawn of a new era of wisdom and brotherhood. Animals appear again and dance in the sun.

Venue Info

Events in Hong Kong - Hong Kong
Location   Hong Kong

Hong Kong’s is truly a mixed culture. Not only does the territory celebrate festivals and holidays of the East and the West, such as the Dragon Boat Festival, the Mid-Autumn Festival, the Lunar (Chinese) New Year, Christmas, the Western New Year, and others, but it also enjoys hundreds of annual cultural events ranging from traditional Cantonese and other Chinese regional operas and puppet shows to performances of ballet, theatre, and music and exhibitions of paintings and sculptures by nationally and internationally renowned performers and artists. 

Asia World-Arena

1 Airport Expo Blvd, Chek Lap Kok

AsiaWorld-Arena (Hall 1) is a world-class multi-function entertainment venue, and Hong Kong’s largest indoor seated stadium. With a total floor space of 10,880 sqm, the Arena can accommodate up to 14,000 participants, making it ideal for superstar concerts, international conferences and mega events.

The 19m extra-high ceiling and column-free venue design make special performances such as wire-flying, aerial dancing and vertical acrobatics totally possible.

Hong Kong Cultural Centre

10 Salisbury Road, Tsim Sha Tsui, Kowloon

The Hong Kong Cultural Centre is a multipurpose performance facility in Tsim Sha Tsui, Hong Kong. Located at Salisbury Road, it was built by the former Urban Council and, since 2000, has been administered by the Leisure and Cultural Services Department of the Hong Kong Government. A wide variety of cultural performances are held here.

The cultural centre opened with the International Celebration of the Arts, a special programme that ran from 5 November to 6 December and showcased Hong Kong musicians, Kunju opera, Cantonese music, and performances by a range of international artists including the Cologne Opera, the Alban Berg Quartett, Sadao Watanabe, and the first Hong Kong appearance of guitarist John Williams.

Facilities:

  • The Concert Hall, with 2,019 seats, is an oval two-tiered auditorium finished with high quality oak, and includes an adjustable acoustic canopy and curtains. It is the home of the Hong Kong Philharmonic Orchestra. It houses an 8,000-pipe pipe organ, the largest in Asia, built by Austrian firm Rieger Orgelbau. It has been recorded by Christopher Herrick on Organ Fireworks VIII.
  • The Grand Theatre, with 1,734 seats in three tiers, was designed for large scale opera, ballet, and musicals. The Hong Kong Film Award presentation ceremony also takes place there.
  • The Studio Theatre, with 300 to 496 seats depending upon the set-up, can accommodate smaller-scale theatre and performance works.
  • Exhibition Gallery

The centre is adjacent to the Star Ferry Pier and the Star Ferry bus terminus served by Kowloon Motor Bus. It is also within walking distance to Tsim Sha Tsui Station and East Tsim Sha Tsui Station, which serve the Tsuen Wan Line and West Rail Line respectively.

Lyric Theatre, The Hong Kong Academy for Performing Arts

1 Gloucester Road, Wan Chai

Facilities:

  • Raked floor: Stalls seats divided by two aisles
  • Circle and Gallery have continental seating
  • Full seating capacity: 1,181 comprising: Stalls 466, Circle 274, Gallery 441
  • If small orchestra pit used: 1,143
  • If large orchestra pit used: 1,093
Hong Kong City Hall

5 Edinburgh Place Central

Opened in 1962, the Hong Kong City Hall is the first multi-purpose cultural complex ever built for the community of Hong Kong. Occupying an area of 11 000 square metres on the reclaimed seafront of Edinburgh Place, Central, the City Hall was designated as a Grade 1 historic building in 2009. Its major facilities, including a Concert Hall renowned for its outstanding acoustics, a Theatre well-received by professional theatre groups, as well as an Exhibition Hall capturing view of the Victoria Harbour, are housed in the Low Block.

Reputed as one of the most prominent local arts and cultural venues, the Hong Kong City Hall embodies the history of important cultural events and is synonymous with the local cultural development. Milestone events, such as the early Festival of Hong Kong, the first Hong Kong Arts Festival (1973), the first Festival of Asian Arts (1976), the first Hong Kong International Film Festival (1977) and the first International Arts Carnival (1982), all had their inaugurations at the Hong Kong City Hall. Its significant role in promoting arts and cultural exchanges is indeed the pride of Hong Kong people.

Over the past 50 years, the Hong Kong City Hall has stood by the people of Hong Kong through thick and thin. It not only offers a stage for artists to display their talent, but also forms part of our collective memories. In the years to come, it will continue to serve as a source of inspiration for artists and contribute to the continual and multi-faceted development of the arts in Hong Kong.

Concert Hall
Though constructed in the 1960s, the Concert Hall was meticulously designed to achieve the best soundproof result. The maximum seating capacity is 1 430, with a choir stall which can accommodate up to 60 singers. The stage in Concert Mode is suitable for performances of symphony, chamber, recital, jazz and chorus. While in Theatre Mode, the stage is also ideal for other performing art forms, such as dance, drama, opera and Chinese opera.

Theatre
The 463-seat Theatre is ideal for stage productions of a smaller scale. Its unique design enables an easy interflow between performers and audience. Whilst it has established itself as a leading venue for theatre performances, it is equally demanded for presentation of music programmes. The special design of Theatre also satisfies film showing.

Yuen Long Theatre Auditorium

9 Yuen Long Tai Yuk Rd, Yuen Long

Yuen Long Theatre is a performing arts venue in Hong Kong. It was opened on 14 May 2000.

The main performance venue seats 923. Equipped with excellent sound, lighting systems and many other advanced theatrical facilities, which include 24 remote-controlled motorised drapes, a flying system which comprises more than a hundred of motorised and manual cross stage hoists, an adjustable forestage, 2-in-1 convertible orchestra shell with a film projection screen. The Theatre is suitable for a variety of programmes, from concert, operatic performance, drama, dance, film show to ceremony and seminar.

Tuen Mun Town Hall Auditorium

3 Tuen Hi Road, Tuen Mun

The Auditorium, versatile for different types of performances and with a seating capacity of 1368 audiences, is the pride of the Town Hall. It has a stage area of 323 square metres measuring 19 metres in width, 17 metres in depth and 9.5 metres in height. With the two wings each offering an area of approximately 300 square metres, the stage layout is convertible and can effectively cater for different production requirements. Other main features include adjustable sound enclosures to fit orchestras of different sizes.

For proscenium performances, the stage is equipped with a flying system for the putting up of scene curtains, sufficient for large scale production. The stage is designed for easy conversion from a concert layout to a proscenium layout for technical performances and vice versa. It is an ideal venue for professional performances as well as school and community activities.

The Auditorium is furnished with an advanced computerized lighting system and professional sound system. The backstage area is equipped with six single and seven communal dressing rooms.

The state-of-the-art fixture and equipment of the Auditorium guarantee superb audio-visual enjoyment for cultural programmes. With the magnificent stage and a large seating capacity, it is also an ideal venue for holding large-scale gatherings and graduation ceremonies.

Ko Shan Theatre

77 Ko Shan Road, Hung Hom, Kowloon

Ko Shan Theatre
The Ko Shan Theatre was first opened in 1983 and designed as a 3,000-seat semi-open air theatre. Because of the semi-open design, the former venue suffered from inclement weather and noise problems. After an improvement project approved in 1994, the refurbished Ko Shan Theatre was re-opened in October 1996.

The former amphitheatre was demolished and rebuilt with an air-conditioned foyer block housing rehearsal facilities, committee room, exhibition facilities and URBTIX box office. The renovation aimed at providing better facilities for a wide range of public and private activities, which can intermix for the benefit of the community.

Ko Shan Theatre New Wing
Opened on 31 October 2014, the 5-storey Ko Shan Theatre New Wing comprises an 596-seat auditorium, an exhibition gallery, a function room, rehearsal rooms and singing practice rooms. It is also equipped with a green roof, a car park basement, a specialist store for Cantonese and Chinese opera products.

The design and layout of Ko Shan Theatre are dedicated for Cantonese opera performances, including spacious leg room between seats inside auditorium to facilitate easy access by the elderly, adequate space for costume trunks at the backstage. Most dressing rooms are on the same floor of the stage, dressing rooms and rehearsal rooms equipped with extra-high doors and great ceiling height etc.

The 600-seat auditorium at the New Wing together with the existing 1 031-seat theatre will further enhance the Ko Shan Theatre’s function as a dedicated venue for Cantonese opera with the provision of ancillary facilities for performance, rehearsals and training by established and budding Cantonese opera artists. While the New Wing is a dedicated venue for Cantonese opera with priority venue hiring policy for Cantonese opera performances, it will also be open to other arts and community event, creating an alternative platform for a variety of cultural activities for the local community and Hong Kong as a whole.

Sheung Wan Civic Centre

345 Queen's Road Central

Sheung Wan Civic Centre is situated on the fourth to the seventh floors of the Sheung Wan Municipal Services Building. It can be reached by various forms of public transport, which includes mini bus and bus. The MTR Sheung Wan Station is also within short walking distance. Since its opening in December 1988, the Centre's diversified facilities are available for hire by the public for organising cultural activities and other events.

Sha Tin Town Hall

1 Yuen Wo Road, Sha Tin

Recognised as one of the Hong Kong's finest performing arts venues, Sha Tin Town Hall is also the heart of culture in the east of the New Territories. It is a well designed complex with integrated facilities giving people opportunities to enjoy culture and arts in relaxing surroundings. Whether for dance, drama and music activities, or for exhibitions and conferences, the Town Hall provides a complete range of performance and exhibition venues. It comprises three major facilities: 1372-seat Auditorium, 300-seat Cultural Activities Hall, 378m² Exhibition Gallery and other minor and ancillary facilities. Since its opening in January 1987, it has come to symbolize the department's commitment in the arts, its support for local arts and culture, and its regard to the cultural enrichment of the community.

The Sha Tin Town Hall is a convenient and well-equipped performance venue for the public to enjoy arts and culture, thanks to its geographical edge and a series of facility upgrades and improvements. It has also been working closely with venue partners, arts groups as well as local and overseas artists to present a wide array of cultural programmes, thereby establishing a reputation for programme diversity.

The Auditorium is reputed for its excellent facilities such as unobstructed audience sightlines, warm ambience and sophisticated technical capabilities for a wide range of performances. The stage is designed for easy conversion from a concert layout to a proscenium layout for theatrical performances and vice versa. It is an ideal venue for professional performances as well as school and community activities.

The Box, Freespace

Cultural District, West Kowloon, No. 18 Museum Dr, Tsim Sha Tsui

Freespace – Hong Kong’s new centre for contemporary performance in the heart of the West Kowloon Art Park – presents multi-genre performances and events, produces boundary-pushing collaborations, and promotes new ways of seeing and experiencing performance.

Partnering with emerging and established artists from Hong Kong and around the world, we nurture diverse creative voices and bring works that challenge and redefine the role of performing arts for our age.

Join for bold new performance experiences at The Box black box theatre, Livehouse live music bar, intimate creation spaces The Room and The Studio, and outside on the Art Park lawns.

Kwai Tsing Theatre

12 Hing Ning Road, Kwai Chung

The opening of Kwai Tsing Theatre in November 1999 is a milestone in the performing arts development of Hong Kong. Over the past twenty years, the Theatre has provided quality support to numerous local and visiting stage productions to the spectacular enjoyment of its audience.

The Theatre’s 899-seat Auditorium is equipped to cater for all types of performances. The Black Box Theatre, accommodating from 130 to 160 theatre-goers, is the first of its kind among the Leisure and Cultural Services Department performing arts facilities designed to meet the growing demand of small-scale and experimental productions. Other facilities to suit the needs of different arts activities include a Lecture Room, a Dance Studio and a Rehearsal Room while the 5 000-square-metre Plaza offers the breathing space for the busy city life.

On top of its diversified facilies, Kwai Tsing Theatre prides itself on its prime location and excellent transport connection. It is an ideal venue for productions of different scales and will continue to play a key role for local cultural events.

Queen Elizabeth Stadium

18 Oi Kwan Road, Wan Chai

Opened in 1980, the Queen Elizabeth Stadium (the "Stadium") is Hong Kong's premier multi-purpose venue located in the heart of Wan Chai that provides the public with a chance to view and participate in sports, recreation and culture, all under the same roof.

Apart from a 3500-seat arena, the Stadium houses a reception lobby, a VIP lounge, a multi-purpose hall, two function rooms, four committee rooms, three squash courts and a table-tennis playing area. Anyone pursuing an active lifestyle will find something to stretch his mind and body within these grounds.

With a seating capacity of 3500 and professional facilities, the arena is a perfect venue for holding cultural and entertainment programmes, sports events, conventions and ceremonies of any scale or nature.

The Stadium has played a decisive role in fostering spectator and participation sports in the territory. With a floor size of 580 sq m and equipped with lighting and scoring systems of international standard, the arena can be overlaid with wooden flooring or rubberized roll-outs for holding spectator events.

The highly flexible structure of tiered seating and retractable stand can also be transformed into adjustable stage configurations for classical concerts, entertainment shows, dance performances, theatrical productions, variety shows, conventions and ceremonial events. The close proximity between the stage and the spectator grandstand encourages rapport between performers and audience, creating a cosy ambience ideal for family entertainment and interactive events.

Tai Kwun Prison Yard

10 Hollywood Road

Tai Kwun, or the Former Central Police Station Compound (CPS Compound) includes three declared monuments in Central, Hong Kong: the former Central Police Station, the Former Central Magistracy, and the Victoria Prison. Surrounded by Hollywood Road, Arbuthnot Road, Chancery Lane and Old Bailey Street, the compound underwent a heritage revitalisation and reopened to the public on 29 May 2018 as "Tai Kwun" a centre for heritage and arts.

Tai Kwun is Hong Kong’s beating cultural heart, enabled by The Hong Kong Jockey Club (HKJC) in partnership with the Hong Kong SAR Government. A vibrant, welcoming space that brings people together, Tai Kwun is committed to inspiring the community through arts, culture and heritage. Located in the heart of Central, Hong Kong, Tai Kwun brings creative energy into our city by providing the people of Hong Kong with access to a variety of immersive, world-class experiences. It is open for all members of our community to enjoy, nurturing appreciation for arts, heritage and culture.

Tai Kwun supports youth in our community with the skills and development opportunities needed to thrive in the creative industries. Together with HKJC, Tai Kwun aspires to contribute to a culturally vibrant Hong Kong, amplifying the city’s role as a thriving arts and cultural hub in the region and the global arena.

The relationship between HKJC and Tai Kwun continues HKJC’s longstanding role as a supporter of the city’s iconic arts and cultural institutions, which aligns with HKJC’s purpose of acting continuously for the betterment of our society. HKJC funded the revitalisation and continues to fund the ongoing operation of Tai Kwun, which consist of three Declared Monuments – the former Central Police Station, Central Magistracy and Victoria Prison – transforming the historic site into an accessible world-class centre for arts, culture and heritage. In 2019, Tai Kwun received the Award of Excellence in the 2019 UNESCO Asia-Pacific Awards for Cultural Heritage Conservation.

Sunbeam Theatre

423 King’s Road, North Point

For nearly five decades, Sunbeam Theatre in North Point has been synonymous with Cantonese opera in Hong Kong, playing an important role in our city’s cultural history. This vintage theatre is designed specifically for Cantonese opera performances, with a grand auditorium that holds 1,044 seats, and a mini stage with 340 seats. 

Shows usually run for five days a week from 7.30 pm, with occasional matinees held at 1 pm or 1:30 pm. Sunbeam Theatre also houses a cinema that stages classic and new-release films from Hong Kong, mainland China, and Japan.

Xiqu Centre

88 Austin Road West, Tsim Sha Tsui, Kowloon

A world-class performance venue promoting Chinese traditional theatre, Cantonese opera and regional forms of xiqu.  

Established with the goal of preserving, promoting and developing the heritage art of Chinese opera, the Xiqu Centre presents performances from Hong Kong, mainland China and around the world. Catering for seasoned fans and newcomers alike, we showcase award-winning troupes, master artists and emerging talent, and offer large-scale classic dramas, rare regional productions and experimental contemporary creations. The Xiqu Centre also presents a specially-curated introduction to Cantonese opera, Magic Tea House 2.0 – Dream of the Future, performed by our resident troupe of emerging local artists the Tea House Rising Stars Troupe, as well as film screenings, music performances and a range of related educational activities.

The open public atrium provides a stage for free concerts and exhibitions and a cool, calm space to relax and escape the heat of the sun. You can also enjoy gourmet food and drinks at a selection of restaurants and cafes, and browse xiqu-related items in our gift shop.  

Located on the eastern side of the West Kowloon Cultural District, the Xiqu Centre is easy to access. Its state of the art facilities include the large Grand Theatre, the intimate Tea House Theatre, four professional rehearsal rooms and a lecture hall.  

The Xiqu Centre’s striking design, created by Revery Architecture (formerly Bing Thom Architects) and Ronald Lu & Partners, blends elements of traditional and contemporary Chinese architecture to reflect the evolving nature of the art of Chinese opera. 

Designed to meet recognised sustainability standards and reduce energy consumption, the Xiqu Centre was awarded a Gold rating by Hong Kong’s internationally recognised Building Environmental Assessment Method (BEAM) in 2019.

Grand Theatre
A world-class venue showcasing high-quality traditional and contemporary xiqu performances by artists from Hong Kong, mainland China and the region. Tailor-made for professional xiqu presentations and fitted with state-of-the-art lighting and sound equipment, the theatre has a seating capacity of 1,000 plus.

Tea House Theatre

Designed to recreate the intimate atmosphere of a traditional tea house, the Tea House Theatre offers flexible table and chair seating arrangements in stall and balcony areas and is suitable for small-scale performances of regional xiqu genres or traditional music. It is the venue for the regular programme Magic Tea House, an introduction to Cantonese opera presented by the Tea House Rising Stars Troupe (special performances for tour groups and student groups available on request). It also hosts student matinees designed to help secondary school students learn about Chinese culture and the art of xiqu in a fun and informative way. Seating capacity up to 200.

West Kowloon Bamboo Theatre

West Kowloon Cultural District, West Kowloon Waterfront Promenade

West Kowloon Bamboo Theatre is one of the flagship programmes of the West Kowloon Cultural District Authority (WKCDA). The West Kowloon Bamboo Theatre has been held since 2012 by the WKCDA which aims to promote Cantonese opera and the West Kowloon Cultural District (WKCD). Due to its popularity, the WKCDA continues to organise the West Kowloon Bamboo Theatre annually after 2012. Starting from 2013, apart from Cantonese opera, the theatre also provides performances of modern music and Chinese dance. There was a New Year Fair being provided as well.

Since 2012, a temporary bamboo theatre, covering 1,800 square metres, has been set up by the WKCDA during the Chinese New Year for the performances. It is located at the West Kowloon Waterfront Promenade in the WKCD.

During the celebration, various types of Chinese operas such as Kunqu and Jingkunqu are performed. Famous artists are invited to participate in performances. The cinema shows classical Chinese films, mainly about Chinese opera songs.

Tsing Yi Bamboo Theatre

Tsing Yi Athletic Association Soccer Pitch

Tsing Yi Bamboo Theatre is an annual large-scale traditional Cantonese festival held in Hong Kong with a temporary built theatre which made with bamboos. It is located in Fung Shue Wo Road Football Field, which is next to Municipal Service Building in Tsing Yi, Hong Kong. It is for the celebration of Zhen Jun (The True Lord) and Tin Hau (The Empress of Heaven).

Youth Square – Y Theatre

Youth Square

Y Theatre is a traditional proscenium theatre designed and equipped for staging Drama, Dance, Musicals, and Musical Performances. It can also be used for Opera, Film and Variety Performances. In addition, the stage can be used for acoustic shell layout. Seating 643 in total, these are disposed with 449 in the stalls level (including 4 wheelchair seats),   94 in the balcony level (including 2 wheelchair seats). Seating start at row A, and 109 seats of stalls level row A to row E will be lost for setting the orchestra pit. Production desk can be set on stalls level row Q & R center to accommodate control panel and related production needs.

Ngau Chi Wan Civic Centre - Cultural Activities Hall

11 Clear Water Bay Road

The Ngau Chi Wan Civic Centre, conveniently located in the heart of East Kowloon, has offered quality and diversified facilities for wide range of cultural activities and other events since its opening on 23 April 1987. With the mission of enriching the lives of the community by providing more professional services and advanced facilities, the Centre has undergone a major improvement in 2002. In early 2004, the Exhibition Hall was also converted to a multi-purpose Cultural Activities Hall to suit the needs of the community.

On top of the Theatre and Cultural Activities Hall, the Centre has ancillary facilities such as Lecture Room, Art Studios, Dance Practice Room and Music Practice Room. With its optimal location, newly renovated facilities and our professional and customer-focused services, you will have everything you need to make your event/function a complete success.

Cultural Activities Hall suitable for experimental drama, small-scale performance, visual / academic / commercial exhibition, conference, reception.

The Sanctuary, Methodist International Church

9/F, Wesleyan House 271 Queen's Road East​Wan Chai

Tsuen Wan Town Hall - Auditorium

72 Tai Ho Road, Tsuen Wan

Since its opening, the Auditorium has been noted for its excellent acoustics, thanks to the ingenious design of the acoustic system that maintains a high fidelity and produces a natural sound effect. Many world-renowned orchestras, choirs and instrumental players have given their performances here. The Auditorium is equipped with sophisticated sound and lighting facilities as well as an adjustable stage to suit different functions such as concerts, recitals, Chinese operas, dramas, dances, variety shows, seminars, films and recordings.

Kowloonbay International Trade & Exhibition Centre (KITEC) - Star Hall

1 Trademart Drive, Kowloon Bay

The Kowloonbay International Trade & Exhibition Centre (KITEC, formerly known as the Hong Kong International Trade and Exhibition Centre or HITEC), is an exhibition centre, shopping mall and performance venue situated at 1 Trademart Drive, Kowloon Bay, Kowloon, Hong Kong. It was developed by Hopewell Holdings Ltd.

Star Hall is the performance venue inside KITEC. It can accommodate audiences of 3,600 people. It is a popular venue for concerts. The 4-storey Star Hall measuring 2,800 m2 (30,000 sq ft) offers column-free space.

Shouson Theater

2 Harbour Road, Wan Chai

Shouson Theatre is the largest venue in HKAC with capacity 394 seats. The proscenium theatre offers superb views from every seat, which audiences can enjoy an intimate theatrical experience. It is primarily used for concert, drama and dance performances, but also ideal for film screenings and seminars.

Important Info
Type: Opera
City: Hong Kong, China
Starts at: 19:30
Sung in: German
Titles in: Chinese,English
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