Cobb Energy Performing Arts Centre tickets 10 November 2026 - Silent Night | GoComGo.com

Silent Night

Cobb Energy Performing Arts Centre, Atlanta, USA
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7:30 PM
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US$ 116

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Atlanta, USA
Starts at: 19:30
Acts: 2
Duration: 2h 30min
Titles in: English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Iván López-Reynoso
Baritone: Aleksey Bogdanov (Lt. Horstmayer)
Bass-Baritone: David Crawford (British Major)
Tenor: Kameron Lopreore (Nikolaus Sprink)
Baritone: Luke Sutliff (Lt. Audebert)
Soprano: Sylvia D`Eramo (Anna Sørensen)
Chorus: The Atlanta Opera Chorus
Orchestra: The Atlanta Opera Orchestra
Creators
Composer: Kevin Puts
Lyricist: Mark Campbell
Director: Tomer Zvulun
Overview

Silent Night is a co-production of The Atlanta Opera, Florida Grand Opera, and Opera Carolina.

Sung in English, French, German, and Italian with English supertitles.

Silent Night is the powerful, true account of the spontaneous Christmas truce between French, British, and German soldiers during World War I. Based on the film “Joyeux Noël,” the story takes place on Christmas Eve, the opposing forces lay down their weapons, come together around a makeshift tree to sing carols, and play soccer matches. The soldiers’ peaceful actions are reprimanded by their commanders, but cast a lasting light on the goodness of humanity in the face of war.

Artistic Director Tomer Zvulun will direct, and Principal Conductor Iván López Reynoso will conduct. Zvulun previously directed the debut of this co-production (with the Wexford Festival Opera and Glimmerglass Opera) at the esteemed Wexford Festival Opera to critical acclaim, winning the Audience Choice Award and Best Opera Award at the Irish Times Theatre Awards. The original production won the Pulitzer Prize for Music in 2012.

History
Premiere of this production: 12 November 2011, Minnesota Opera

Silent Night is a moving contemporary opera based on the true story of the Christmas Truce of 1914 during World War I. Set on the front lines of the Western Front, the opera tells how enemy soldiers briefly put aside war and hostility to celebrate Christmas together, revealing the power of compassion, music, and shared humanity.

Synopsis

Act I

In and around a battlefield in Belgium, near the French border, around Christmas 

Scene one – December 23, late afternoon  A horrific battle is fought between the Germans and the French and Scottish. An attempt by the French and Scottish soldiers to infiltrate the German bunker fails miserably; corpses begin to pile up in the no-man’s land between the three bunkers. When William is shot, Jonathan must leave his brother behind to die. 

Scene two – December 23, evening  In the Scottish bunker, Lieutenant Gordon assesses the casualties after the battle. Father Palmer attempts to offer solace to Jonathan in prayer.

In the French bunker, Lieutenant Audebert discovers the French General waiting in his makeshift office, who reprimands him for surrendering and threatens him with a transfer. The General leaves and Audebert laments the loss of his wife’s photograph to his aide de camp, Ponchel. When he is alone Audebert tallies the casualties in the last battle, while missing Madeleine and their child who he has not yet seen. He sings of needing sleep, a sentiment echoed by all of the soldiers. As it starts to snow, covering the corpses in no-man’s land, the soldiers slowly begin to sleep. Alone in the German bunker, Nikolaus reveals to an imagined Anna his despair about war. 

Scene three – December 24, morning  In the German bunker, crates have arrived – and little Christmas trees from the Kronprinz. Lieutenant Horstmayer criticizes the Kronprinz for not sending them more useful presents, like ammunition and reinforcements. He receives a directive from headquarters that Nikolaus has been ordered to sing at the nearby chalet of the Kronprinz, along with one Anna Sørensen. Nikolaus departs for the chalet, excited that he will be reunited with Anna again after many months apart.

The French soldiers have received crates of wine, sausages and chocolates from the quartermaster and open them jubilantly. Ponchel, a barber by trade, brings coffee to Audebert and sits him down for a haircut. He is reminded of having coffee with his mother every morning, who lives only an hour away on foot. The alarm clock he carries next to his heart at all times (which shielded him from a bullet in the last battle) rings at ten o’clock every morning to remind him of their daily meeting.

In the Scottish bunker, crates of whiskey have arrived from home. Jonathan writes a letter to his mother, not mentioning his brother’s death. 

Scene four – December 24, early evening  At the chalet of the Kronprinz, Anna and Nikolaus perform a duet. Following the performance, they steal a few moments on a terrace outside. Anna notices the cruel effect war has had on her lover’s spirit. She has arranged for Nikolaus to spend the night with her and is angry when he says he must return to his fellow soldiers. She vows to accompany him back to the battlefield. 

Scene five – December 24, night  In the French bunker, Gueusselin volunteers to infiltrate the German bunker, and with several grenades, sidles onto no-man’s land. The Scottish soldiers drink whiskey and play a bagpipe that another unit has sent them, as Father Palmer sings a sentimental ballad about home. The men in the other bunkers hear the song and react to it with sadness, caution and annoyance. Nikolaus arrives; his fellow soldiers greet him with cheers and applause and gasp in amazement at seeing Anna with him. When the song in the Scottish bunker is finished, Nikolaus sings a rousing Christmas song loudly in response and midway through, the bagpiper begins to accompany. Emboldened, Nikolaus stands atop the bunker raising a Christmas tree as a gesture of friendship. Against the protestations of their superiors, the soldiers from all bunkers stand. Nikolaus bravely moves to the center of no-man’s land. Gueusselin abandons his plan to grenade the German bunker.

Eventually, the three lieutenants, waving a white flag of truce, agree to a cease-fire … but only on Christmas Eve. The soldiers slowly and cautiously move toward each other. They share their provisions, their photos and their names. Anna appears and all of the soldiers are awed by the sight of a woman. Father Palmer has set up a makeshift church and celebrates mass with the men, while Jonathan finds his brother’s body and vows revenge. Father Palmer finishes the mass and urges the men to “go in peace” as bombs explode menacingly in the distance.

Act II 

Scene one – December 25, dawn  The following morning, Jonathan tries to bury his brother. Because the truce is officially over, two German sentries are prepared to shoot him, although Father Palmer and Lieutenant Gordon intervene. Looking on, Horstmayer proposes that it may indeed be time to bury all of the dead. The three lieutenants meet and decide over that coffee that the truce will be extended until after the dead in no-man’s land are buried. 

Scene two – December 25, late morning, early afternoon  The soldiers pile up the corpses, Father Palmer delivers last rites and the soldiers form a processional bearing the wagon of bodies away. Anna looks on with Nikolaus and promises that he will not suffer the same fate.

Scene three – December 25, all day  In the meantime, news of the cease-fire has reached headquarters, and the British Major, the Kronprinz, and the French General all react in anger and disbelief. They declare that they will punish the soldiers for their betrayal. 

Scene four – December 25, evening  When the truce is over, Nikolaus ridicules Horstmayer for his allegiance to the Fatherland; Horstmayer arrests him for insubordination. Anna takes Nikokaus’ hand and leads him across no-man’s land as Horstmayer orders his men to shoot, but no one moves. Reaching the French bunker unharmed, Nikolaus demands asylum for Anna and himself. 

Scene five – December 26, late morning  The British Major admonishes the Scottish soldiers for participating in the Christmas truce. They are to be transferred to the front lines. When a German soldier is seen crossing the battlefield, the Major orders him killed. Jonathan complies and dispassionately shoots the man.

Lieutenant Audebert returns to his small office and discovers the French General there. The General tells Audebert that he will be transferred to Verdun as punishment for consorting with the enemy and that his unit will be disbanded. Audebert informs the French General – his father – that he has learned he has an infant son named Henri. They vow to survive the war for the child’s sake.

The Kronprinz angrily announces that the German soldiers are to be deployed in Pomerania as punishment. The soldiers are taken off in a boxcar. The battlefield is now completely empty. Snow begins to fall again.

Venue Info

Cobb Energy Performing Arts Centre - Atlanta
Location   2800 Cobb Galleria Pkwy, Atlanta, GA 30339, United States

The Cobb Energy Performing Arts Centre is a modern performing arts venue in Atlanta, featuring a state-of-the-art theater, excellent acoustics, elegant design, and hosting ballet, opera, concerts, and major touring productions.

The Cobb Energy Performing Arts Centre, located in Atlanta, Georgia, is a premier, state-of-the-art venue designed to host a wide range of performing arts and cultural events. Opened in 2007, the center is known for its striking contemporary architecture, blending glass, steel, and sweeping lines to create a visually impressive landmark. Its centerpiece is the 4,600-square-meter, 2,750-seat John A. Williams Theatre, an elegant auditorium offering exceptional sightlines, rich acoustics, and a spacious stage capable of accommodating full-scale ballet, opera, musical theater productions, and touring shows.

The venue also includes the Hudson Lobby, a grand multi-level foyer with modern art installations, dramatic lighting, and panoramic windows that enhance the overall visitor experience. The center serves as the home of The Atlanta Opera and regularly hosts performances by touring ballet companies, major music artists, comedy acts, corporate events, and film screenings.

Equipped with advanced lighting, sound systems, and backstage technology, the Cobb Energy Performing Arts Centre is designed to meet the needs of world-class productions while providing comfort and accessibility for audiences. Its combination of architectural beauty, technical sophistication, and cultural significance has made it one of the most important performing arts venues in the southeastern United States.

Important Info
Type: Opera
City: Atlanta, USA
Starts at: 19:30
Acts: 2
Duration: 2h 30min
Titles in: English
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