Beijing National Grand Theater (NCPA) tickets 5 February 2026 - Kit Armstrong Piano Recital | GoComGo.com

Kit Armstrong Piano Recital

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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Select date and time
7:30 PM
From
US$ 92

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Piano: Kit Armstrong
Creators
Composer: Edvard Grieg
Composer: Frédéric Chopin
Composer: Wolfgang Amadeus Mozart
Programme
Edvard Grieg: Holberg Suite, Op.40
Wolfgang Amadeus Mozart: Piano Sonata in B flat major, "Linz", K333 (K315c)
Wolfgang Amadeus Mozart: Fantasia for Piano in C minor, KV475
Frédéric Chopin: Nocturne no. 15 in F minor, Op.55 no.1
Frédéric Chopin: Nocturne no. 8 in D flat major, Op.27 no.2
Frédéric Chopin: Waltz no. 7 in C sharp minor, Op.64 no.2
Wolfgang Amadeus Mozart: Rondo in A minor, K. 511
Frédéric Chopin: Ballade no. 1 in G minor, Op.23
Overview

Ever since Kit Armstrong entered the international music stage twenty years ago, his activities have exerted an enduring fascination upon music lovers. Today he maintains an active career as pianist, composer, and organist. He performs as a soloist in major international venues such as the Berlin Philharmonie, Vienna Musikverein, Amsterdam Concertgebouw, Hamburg Elbphilharmonie, and appears with some of the world’s finest orchestras, including the Vienna Philharmonic, Dresden Staatskapelle, BBC Symphony Orchestra and the Academy of St Martin in the Fields.

A passionate chamber musician, Armstrong has developed close artistic partnerships with other leading instrumental and vocal artists. The complete Mozart sonatas for piano and violin with Renaud Capuçon have featured at the Salzburg Mozartwoche Festival and Berlin’s Boulez Hall. Armstrong has given song recitals with Benjamin Appl, Julian Prégardien, and others. Recent European tours with the Swedish Chamber Orchestra and Akademie für Alte Musik Berlin, one of the world’s leading early music ensembles, reflect long-standing collaborations. Armstrong has appeared as an organ recitalist at the Berlin Philharmonie, Vienna Konzerthaus, Philharmonie de Luxembourg, Weiwuying in Kaohsiung, as well as in cathedrals throughout Europe.

At the age of five, Armstrong came to classical music through composition, and has developed a broad oeuvre of solo, vocal, chamber, and symphonic works. Edition Peters publishes Armstrong’s compositions, which have been commissioned by the Leipzig Gewandhaus, Schubertiade, Bachwoche Ansbach, and Klavierfestival Ruhr among others.

Armstrong has held artist-in-residence appointments offering a wide spectrum of musical formats, combining activities as composer, pianist, conductor, and organist, at institutions including the Palais des Beaux Arts in Brussels, the Mozartfest Würzburg, the Festspiele Mecklenburg-Vorpommern, the Musikkollegium Winterthur, and in 2023, the Museumsgesellschaft Frankfurt.

Armstrong’s solo piano albums include Bach, Ligeti, Armstrong and Liszt: Symphonic Scenes, both released by Sony Classical, as well as various live recitals on DVD, including Bach’s Goldberg Variations and its Predecessors at the Concertgebouw Amsterdam (Unitel, 2017) and Wagner - Liszt - Mozart at the Bayreuth Margravial Opera House (C-Major, 2019). In 2021 Deutsche Grammophon released a double CD dedicated to a panorama of works by William Byrd and John Bull: The Visionaries of Piano Music. His latest album is the complete Mozart sonatas for piano and violin with Renaud Capuçon on the same label.

Born in 1992 in Los Angeles, Armstrong started studying composition at Chapman University and physics at California State University, later chemistry and mathematics at the University of Pennsylvania and mathematics at Imperial College London. He earned a bachelor’s degree in music at the Royal Academy of Music in London and a master’s degree in pure mathematics at the University of Paris VI. Alfred Brendel has guided Armstrong as teacher and mentor since 2005. Their relationship was captured in the film Set the Piano Stool on Fire by Mark Kidel.

In 2012, Armstrong purchased the Church of Sainte-Thérèse in Hirson, France as a hall for concerts and exhibitions. This cultural centre that he created is home to interdisciplinary projects reaching a regional as well as cosmopolitan public, and has been the subject of profiles in the national and international press.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
Duration: 2h
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