Adrienne Arsht Center tickets 29 March 2025 - Spring Mix | GoComGo.com

Spring Mix

Adrienne Arsht Center, Ziff Ballet Opera House, Miami, USA
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Select date and time
Saturday 29 March 2025
7:30 PM
From
US$ 113

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Miami City Ballet
Creators
Composer: Pyotr Tchaikovsky
Choreographer: Jerome Robbins
Composer: Johann Sebastian Bach
Composer: Modest Mussorgsky
Composer: Philip Glass
Choreographer: Alexei Ratmansky
Choreographer: George Balanchine
Choreographer: José Limón
Overview

Spring Mix is a feast for the senses, where every moment is a masterpiece.

This spring, the many sides of dance take center stage—raw and wild, soulful and structured—in a program packed with company premieres, a Robbins classic, and a burst of Balanchine brilliance.

The program closes with a company premiere: Alexei Ratmansky’s Pictures at an Exhibition. Ten dancers bring Mussorgsky’s legendary score to life against a backdrop of Kandinsky’s Color Study: Squares with Concentric Circles. It’s a ballet that’s as vibrant and unexpected as the art that inspired it.

In his 1874 work "Pictures at an Exhibition", Modest Mussorgsky, the most radical representative of the group known as "The Five", expressed an overflowing fullness of life and visionary sound images. 

Writing in The New York Times after the ballet’s premiere, critic Alastair Macaulay stated, “‘Pictures at an Exhibition’ is surely the most casually diverse work Mr. Ratmansky has created, but it gathers unstoppable momentum. The 10 dancers—five women, five men—started out in informal home-theater mood, almost as if they were playing charades. Some dances, including the first solo (by Sara Mearns), had a wild, improvisatory, part-stumbling, part-inspired quality. (The tailor-made nature of the ballet’s solos reflects one of Mr. Ratmansky’s greatest gifts: Dancers are vividly, individually, intimately revealed.) In certain numbers the dancers—here on all fours, there gesturing—seemed to enact or refer to private stories. Other sections shifted toward a classicism of long lines and academic steps. Some ensembles were largely about camaraderie; others about geometry, harmony, meter.”

Jerome Robbins kicks things off with Glass Pieces, a thrilling blend of postmodern movement and classical ballet. Inspired by the nonstop energy of city life, this electrifying work pulses to the hypnotic rhythms of Philip Glass.

The ballet captures the dynamic pulse of metropolitan life, inspired by Philip Glass’ streamlined and hypnotic compositions. Robbins deploys a massive ensemble of dancers in this exhilarating, highly detailed, and refreshingly abstract piece.

The company premiere of José Limón’s Chaconne brings a moment of quiet intensity. Originally performed by Limón himself, this stunning solo—set to Bach’s deeply expressive violin music—balances precision with pure emotion.

A returning favorite, Balanchine’s Tschaikovsky Pas de Deux is an eight-minute masterclass in ballet bravado—short, stunning, and supremely cherished. It's a thrill ride for dancers and audiences alike.

History

Pictures at an Exhibition is a suite of ten pieces (plus a recurring, varied Promenade) composed for piano by Russian composer Modest Mussorgsky in 1874.

Premiere of this production: 12 May 1983, New York State Theater, Lincoln Center

Glass Pieces is a ballet made by New York City Ballet ballet master Jerome Robbins to Philip Glass' "Rubric" and "Façades" from Glassworks and excerpts from his opera Akhnaten.

Premiere of this production: 29 March 1960, City Center of Music and Drama, New York

Tchaikovsky Pas de Deux is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake (Op. 20, 1875–76). With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow.

Venue Info

Adrienne Arsht Center - Miami
Location   1300 Biscayne Blvd

The Adrienne Arsht Center for the Performing Arts is a performing arts center located in Miami, Florida. It is one of the largest performing arts centers in the United States.

The Center opened as the Carnival Center on October 5, 2006, with performers, politicians and, movie stars attending, including Gloria Estefan, Jeb Bush, Andy García, and Bernadette Peters.

On January 10, 2008, it was announced that philanthropist and business leader Adrienne Arsht donated $30 million to the facility that would make it financially stable. In recognition for the gift, the former Carnival Center for the Performing Arts was renamed "The Adrienne Arsht Center for the Performing Arts of Miami-Dade County," or the Arsht Center for short.

In December 2008, M. John Richard joined the center as president and CEO after more than 20 years at the New Jersey Performing Arts Center (NJPAC).

Founded in 2011, the Town Square Neighborhood Development Corporation (“TSNDC”) was planned to oversee the development of the Arsht Center district. TSNDC's volunteer board: Armando Codina, chairman of Codina Partners, as chair; Manny Diaz, former City of Miami mayor, as vice chair; Michael Eidson, chairman of the Performing Arts Center Trust Board of Directors and partner of the South Florida law firm Colson Hicks Eidson, as treasurer; and Parker Thomson, founding chair of the Performing Arts Center Trust Board of Directors, as secretary. In 2019, Johann Zietsman succeeded John Richard as president and CEO after ten years in the same role at Arts Commons in Calgary.

Interior of the concert hall
The center was designed by César Pelli and occupies two 570,000 square feet (53,000 m2) sites straddling Biscayne Boulevard connected by a pedestrian bridge. Acoustics were designed by Russell Johnson of Artec Consultants company. He also worked on the Meyerson Symphony Center in Dallas.

There are three main venues all of which can be rented for event space by the public:

  • The Sanford and Dolores Ziff Ballet Opera House seats 2,400.
  • The John S. and James L. Knight Concert Hall seats 2,200. Its stage extends into the audience and there is seating behind the stage for 200 additional spectators or a chorus. The orchestra level can be transformed into a "Grand Ballroom" with a festival floor configuration for dining and dancing for up to 850 people. The floor is installed over the seats.
  • Carnival Studio Theater is a flexible black-box space designed for up to 250 seats.

In addition, there are two smaller multi-purpose venues:

  • The Peacock Rehearsal Studio holds 270 people.
  • Parker and Vann Thomson Plaza for the Arts is an outdoor social and performance space linking the two main houses across Biscayne Blvd.
Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30
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