Adrienne Arsht Center tickets 17 October 2025 - Don Quixote | GoComGo.com

Don Quixote

Adrienne Arsht Center, Ziff Ballet Opera House, Miami, USA
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Select date and time
Friday 17 October 2025
7:30 PM
From
US$ 138

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 25min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Miami City Ballet
Creators
Composer: Ludwig Minkus
Librettist: Marius Petipa
Choreography: Marius Petipa
Dramaturge: Miguel de Cervantes
Overview

Embark on an epic journey as the season opens with Don Quixote, set to Minkus’s spirited score.

This beloved classic, not seen on our stage in over a decade, brings the magic of one of literature’s most iconic dreamers to life. With sweeping choreography and larger-than-life characters, this dazzling production celebrates the power of imagination and the pursuit of impossible dreams.

Don Quixote is your passport to a world of wonder. Adventure awaits!

Set off on a thrilling adventure in Don Quixote, the beloved ballet inspired by Miguel de Cervantes’ classic tale. With Minkus’s spirited score and choreography that leaps off the stage, this high-flying production follows the lovable, idealistic dreamer Don Quixote and his faithful squire, Sancho Panza, as they jump headfirst into a whirlwind of romance and daring deeds. With the fearless Kitri and her dashing beau at the heart of the action, the world of Don Quixote comes alive with fiery toreadors, lively gypsies, and nonstop, jaw-dropping dancing. A celebration of imagination and the pursuit of dreams, every moment bursts with color, humor, and heart.

The Story

Don Quixote, a dreamer with a heart full of chivalry, sets off on a grand adventure with his loyal squire, Sancho Panza. Along the way, they cross paths with Kitri, a spirited young woman in love with the charming but penniless Basilio. When her father insists she marry the absurd nobleman Gamache instead, Kitri and Basilio make a daring escape, leading to a whirlwind of adventure through lively village streets, a moonlit gypsy camp, and a raucous tavern. Don Quixote, ever the romantic, mistakes Kitri for his ideal love, Dulcinea, but soon realizes her heart belongs to Basilio. After some clever trickery, plenty of bold dancing, and one ill-fated battle with a windmill, love wins the day, and Kitri and Basilio celebrate their long-awaited wedding. With his mission complete, Don Quixote bids them farewell and rides off in search of his next impossible dream.

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Adrienne Arsht Center - Miami
Location   1300 Biscayne Blvd

The Adrienne Arsht Center for the Performing Arts is a performing arts center located in Miami, Florida. It is one of the largest performing arts centers in the United States.

The Center opened as the Carnival Center on October 5, 2006, with performers, politicians and, movie stars attending, including Gloria Estefan, Jeb Bush, Andy García, and Bernadette Peters.

On January 10, 2008, it was announced that philanthropist and business leader Adrienne Arsht donated $30 million to the facility that would make it financially stable. In recognition for the gift, the former Carnival Center for the Performing Arts was renamed "The Adrienne Arsht Center for the Performing Arts of Miami-Dade County," or the Arsht Center for short.

In December 2008, M. John Richard joined the center as president and CEO after more than 20 years at the New Jersey Performing Arts Center (NJPAC).

Founded in 2011, the Town Square Neighborhood Development Corporation (“TSNDC”) was planned to oversee the development of the Arsht Center district. TSNDC's volunteer board: Armando Codina, chairman of Codina Partners, as chair; Manny Diaz, former City of Miami mayor, as vice chair; Michael Eidson, chairman of the Performing Arts Center Trust Board of Directors and partner of the South Florida law firm Colson Hicks Eidson, as treasurer; and Parker Thomson, founding chair of the Performing Arts Center Trust Board of Directors, as secretary. In 2019, Johann Zietsman succeeded John Richard as president and CEO after ten years in the same role at Arts Commons in Calgary.

Interior of the concert hall
The center was designed by César Pelli and occupies two 570,000 square feet (53,000 m2) sites straddling Biscayne Boulevard connected by a pedestrian bridge. Acoustics were designed by Russell Johnson of Artec Consultants company. He also worked on the Meyerson Symphony Center in Dallas.

There are three main venues all of which can be rented for event space by the public:

  • The Sanford and Dolores Ziff Ballet Opera House seats 2,400.
  • The John S. and James L. Knight Concert Hall seats 2,200. Its stage extends into the audience and there is seating behind the stage for 200 additional spectators or a chorus. The orchestra level can be transformed into a "Grand Ballroom" with a festival floor configuration for dining and dancing for up to 850 people. The floor is installed over the seats.
  • Carnival Studio Theater is a flexible black-box space designed for up to 250 seats.

In addition, there are two smaller multi-purpose venues:

  • The Peacock Rehearsal Studio holds 270 people.
  • Parker and Vann Thomson Plaza for the Arts is an outdoor social and performance space linking the two main houses across Biscayne Blvd.
Important Info
Type: Ballet
City: Miami, USA
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 25min
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