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Hill Auditorium

Hill Auditorium

Hill Auditorium is the largest performance venue on the University of Michigan campus, in Ann Arbor, Michigan. The auditorium was named in honor of Arthur Hill (1847-1909), who served as a regent of the university from 1901 to 1909. He bequeathed $200,000 (equivalent to $6.5 million in 2022) to the university for the construction of a venue for lectures, musical performances, and other large productions. Opened in 1913, the auditorium was designed by Albert Kahn and Associates. It was renovated by the same firm beginning in 2002 and was re-opened in 2004. With seating for up to 3,538 (originally 4,100 prior to the 2004 renovation) audience members, Hill is used for large productions on campus.

Michigan's University Musical Society presents dance, classical music, popular music, and readings by world-renowned artists at Hill Auditorium. Through the years, Hill's oval-shaped stage has seen performances by Rachmaninoff, the Denishawn Dance Company, the Vienna Philharmonic, the Berlin Philharmonic, the Boston Symphony, the Chicago Symphony Orchestra, London Philharmonic Orchestra, the Leningrad Philharmonic, Jan Kubelik, Jascha Heifetz, Eugène Ysaÿe, Ravi Shankar, Enrico Caruso, Joan Sutherland, Robert Frost, Van Cliburn, Yo-Yo Ma, Helen Hayes, Benny Goodman, Harry Chapin, Wynton Marsalis, Elton John, and the Grateful Dead, among others.

The Folk Festival, a multiple artist Folk-Genre Musical Festival held by a local Jazz/Live Performance Musical bar known as The Ark, has been hosted at Hill Auditorium 18 times since 2005. As of 2022, the last live performance was held here on Friday, January 31st and Saturday February 1st, 2020. The Musical Guests for the event were Ingrid Michaelson, The Lone Bellow, Cedric Burnside, Rainbow Girls, Elliott BROOD, with Calexico and Iron & Wine as the final act, playing the song Father Mountain from their 2019 musical collaboration studio album, Years to Burn. Ann Arbor local and Guitarist Willy Porter, the concert's MC, was a musical guest during intermissions while old performers were clearing out and the next act was being set up. 

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